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240813210https://www.gandhi.com.mx/10-9781839022609/phttps://gandhi.vtexassets.com/arquivos/ids/3213983/9e6847dc-c9c7-4962-8f26-0d1dfc5e1c3a.jpg?v=638385040393130000264278MXNBloomsbury PublishingInStock/Ebooks/<p>The Iranian director Abbas Kiarostami burst onto the international film scene in the early 1990s and was widely regarded as one of the most distinctive and talented modern-day directors. His major features - including <em>Through the Olive Trees</em> (1994), <em>Taste of Cherry</em> (1997) and <em>The Wind Will Carry Us</em> (1999) - are relatively modest in scale, contemplative and humanist in tone. In 2002, with 10, Kiarostami broke new ground, fixing one or two digital cameras on a cars dashboard to film ten conversations between the driver (Mania Akbari) and her various passengers. The results are astonishing: though formally rigorous, even austere, and documentary-like in its style, <em>10</em> succeeds both as emotionally affecting human drama and as a critical analysis of everyday life in modern Tehran.</p><p>In his study of the film, Geoff Andrew considers <em>10</em> within the context of Kiarostamis career, of Iranian cinemas renaissance, and of international film culture. Drawing on a number of detailed interviews he conducted with both Kiarostami and his lead actress, Andrew sheds light on the unusual methods used in making the film, on its political relevance, and on its remarkably subtle aesthetic. He also argues that <em>10</em> was an important turning-point in the career of a film-maker who was not only one of contemporary cinemas most accomplished practitioners but also one of its most radical experimentalists.</p>...234373810264278https://www.gandhi.com.mx/10-9781839022609/phttps://gandhi.vtexassets.com/arquivos/ids/3213983/9e6847dc-c9c7-4962-8f26-0d1dfc5e1c3a.jpg?v=638385040393130000InStockMXN99999DIEbook20219781839022609_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_<p>The Iranian director Abbas Kiarostami burst onto the international film scene in the early 1990s and was widely regarded as one of the most distinctive and talented modern-day directors. His major features - including <em>Through the Olive Trees</em> (1994), <em>Taste of Cherry</em> (1997) and <em>The Wind Will Carry Us</em> (1999) - are relatively modest in scale, contemplative and humanist in tone. In 2002, with 10, Kiarostami broke new ground, fixing one or two digital cameras on a cars dashboard to film ten conversations between the driver (Mania Akbari) and her various passengers. The results are astonishing: though formally rigorous, even austere, and documentary-like in its style, <em>10</em> succeeds both as emotionally affecting human drama and as a critical analysis of everyday life in modern Tehran.</p><p>In his study of the film, Geoff Andrew considers <em>10</em> within the context of Kiarostamis career, of Iranian cinemas renaissance, and of international film culture. Drawing on a number of detailed interviews he conducted with both Kiarostami and his lead actress, Andrew sheds light on the unusual methods used in making the film, on its political relevance, and on its remarkably subtle aesthetic. He also argues that <em>10</em> was an important turning-point in the career of a film-maker who was not only one of contemporary cinemas most accomplished practitioners but also one of its most radical experimentalists.</p>...9781839022609_Bloomsbury Publishinglibro_electonico_53b2fba7-61e2-36a5-8d0d-2fde10fe2106_9781839022609;9781839022609_9781839022609Geoff AndrewInglésMéxico2021-03-25T00:00:00+00:00Bloomsbury Publishing