4E Cognition and Eighteenth-Century Fiction

Name: 4E Cognition and Eighteenth-Century Fiction
Brand: Oxford University Press
SKU: 04171042

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42349754E Cognition and Eighteenth-Century Fictionhttps://www.gandhi.com.mx/4e-cognition-and-eighteenth-century-fiction-9780190913069/phttps://gandhi.vtexassets.com/arquivos/ids/2617386/3fe8d36d-9d81-41d3-8e61-3d749170445d.jpg?v=638384219971770000https://gandhi.vtexassets.com/arquivos/ids/2614856/3fe8d36d-9d81-41d3-8e61-3d749170445d.jpg?v=63838421660550000016461829MXNOxford University PressInStock/Ebooks/When the novel broke into cultural prominence in the eighteenth century, it became notorious for the gripping, immersive style of its narratives. In this book, Karin Kukkonen explores this phenomenon through the embodied style in Eliza Haywoods flamboyant amatory fiction, Charlotte Lennoxs work as a cultural broker between Britain and France, Sarah Fieldings experimental novels, and Frances Burneys practice of life-writing and fiction-writing. Four female authors who are often written out of the history of the genre are here foregrounded in a critical account that emphasizes the importance of engaging readers minds and bodies, and which invites us to revisit our understanding of the rise of the modern novel. Kukkonens innovative theoretical approach is based on the approach of 4E cognition, which views thinking as profoundly embodied and embedded in social and material contexts, extending into technologies and material devices (such as a pen), and enactive in the inherent links between perceiving the world and moving around in it. 4E Cognition and Eighteenth-Century Fiction investigates the eighteenth-century novel through each of these trajectories and shows how language explores its embodied dimension by increasing the descriptions of inner perception, or the bodily gestures around spoken dialogue. The embodied dimension is then related to the media ecologies of letter-writing, book learning, and theatricality. As the novel feeds off and into these social and material contexts, it comes into its own as a lifeworld technology that might not answer to standards of nineteenth-century realism but that feels real because it is integrated into the lifeworld and embodied experiences. 4E cognition answers one of the central challenges to cognitive literary studies: how to integrate historical and cultural contexts into cognitive approaches....41710424E Cognition and Eighteenth-Century Fiction16461829https://www.gandhi.com.mx/4e-cognition-and-eighteenth-century-fiction-9780190913069/phttps://gandhi.vtexassets.com/arquivos/ids/2617386/3fe8d36d-9d81-41d3-8e61-3d749170445d.jpg?v=638384219971770000https://gandhi.vtexassets.com/arquivos/ids/2614856/3fe8d36d-9d81-41d3-8e61-3d749170445d.jpg?v=638384216605500000InStockMXN99999DIEbook20199780190913069_W3siaWQiOiI5NDkzY2I3NS1lMGNkLTQxOTgtYTViOS1iZDYxNDlhOWI5YzAiLCJsaXN0UHJpY2UiOjE4MjksImRpc2NvdW50IjoxODMsInNlbGxpbmdQcmljZSI6MTY0NiwiaW5jbHVkZXNUYXgiOnRydWUsInByaWNlVHlwZSI6Ildob2xlc2FsZSIsImN1cnJlbmN5IjoiTVhOIiwiZnJvbSI6IjIwMjUtMDktMDhUMDU6MDA6MDBaIiwidG8iOiIyMDI1LTA5LTMwVDIzOjU5OjU5WiIsInJlZ2lvbiI6Ik1YIiwiaXNQcmVvcmRlciI6ZmFsc2V9LHsiaWQiOiI1ZjIyZGZlYS1jMmM3LTRkZjYtOTllOS1hMmJlZTkyMzA3OWUiLCJsaXN0UHJpY2UiOjE3NjMsImRpc2NvdW50IjoxNzcsInNlbGxpbmdQcmljZSI6MTU4NiwiaW5jbHVkZXNUYXgiOnRydWUsInByaWNlVHlwZSI6Ildob2xlc2FsZSIsImN1cnJlbmN5IjoiTVhOIiwiZnJvbSI6IjIwMjUtMTAtMDFUMDA6MDA6MDBaIiwicmVnaW9uIjoiTVgiLCJpc1ByZW9yZGVyIjpmYWxzZX1d9780190913069_When the novel broke into cultural prominence in the eighteenth century, it became notorious for the gripping, immersive style of its narratives. In this book, Karin Kukkonen explores this phenomenon through the embodied style in Eliza Haywoods flamboyant amatory fiction, Charlotte Lennoxs work as a cultural broker between Britain and France, Sarah Fieldings experimental novels, and Frances Burneys practice of life-writing and fiction-writing. Four female authors who are often written out of the history of the genre are here foregrounded in a critical account that emphasizes the importance of engaging readers minds and bodies, and which invites us to revisit our understanding of the rise of the modern novel. Kukkonens innovative theoretical approach is based on the approach of 4E cognition, which views thinking as profoundly embodied and embedded in social and material contexts, extending into technologies and material devices (such as a pen), and enactive in the inherent links between perceiving the world and moving around in it. 4E Cognition and Eighteenth-Century Fiction investigates the eighteenth-century novel through each of these trajectories and shows how language explores its embodied dimension by increasing the descriptions of inner perception, or the bodily gestures around spoken dialogue. The embodied dimension is then related to the media ecologies of letter-writing, book learning, and theatricality. As the novel feeds off and into these social and material contexts, it comes into its own as a lifeworld technology that might not answer to standards of nineteenth-century realism but that feels real because it is integrated into the lifeworld and embodied experiences. 4E cognition answers one of the central challenges to cognitive literary studies: how to integrate historical and cultural contexts into cognitive approaches....9780190913069_Oxford University Presslibro_electonico_85d3438a-ffbe-315a-ae11-df38b99e2a75_9780190913069;9780190913069_9780190913069Karin KukkonenInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/oxfordupuk-epub-64fa3525-1937-4b83-99ae-14012dd10810.epub2019-01-16T00:00:00+00:00Oxford University Press