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Timothy Holland
The ATraces of Jacques Derridas Cinema
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4933994The ATraces of Jacques Derridas Cinemahttps://www.gandhi.com.mx/the-traces-of-jacques-derridas-cinema-9780197694541/phttps://gandhi.vtexassets.com/arquivos/ids/4487125/image.jpg?v=638505222035000000478504MXNOxford University PressInStock/Ebooks/<p>Situated at the intersection of film and media studies, literary theory, and continental philosophy, <em>The Traces of Jacques Derridas Cinema</em> provides a trenchant account of the role of cinema in the oeuvre of one of the most influential philosophers of the twentieth century, Jacques Derrida (1930-2004). The book is animated by Derridas self-confessed passion for the movies, his reluctance to write about film despite the range of his corpus, and the generative encounters arising between his legacy and the field of film and media studies as a result. Given the expanse of its references, interdisciplinarity, and consideration of Derridas approach to the experience of both spectatorship and the act of being filmed, The Traces of Jacques Derridas Cinema contributes to the ongoing close analyses of the philosophers work while also providing a rigorous introduction to deconstruction. Author Timothy Holland interweaves historical and speculative modes of research and writing to articulate the peripheral-yet surprisingly crucial-place of the cinematic medium for Derrida and his philosophical enterprise. The outcome is a meticulously detailed survey of the centers and margins of Derridas oeuvre that include forays into such terrain as: his notable appearances in films; an unrealized project on cinema and belief that Derrida proposed in a 2001 interview; the correspondences between the strategies of deconstruction and the traditions, homecomings, and wordplay of David Lynchs cinematic media; and the questions wedded to the future of film studies amid the vicissitudes of the modern, virtual university. Ultimately, Holland pursues the thinking activated by the flickering of Derridas cinema-not only the absence and presence of film in Derridas professional and personal life, but also the rigor of academic discourse and the pleasures of the movies, ghosts and technology, religious faith and scientific knowledge, and ruination and survival-as a critical chance for reflection.</p>...4675358The ATraces of Jacques Derridas Cinema478504https://www.gandhi.com.mx/the-traces-of-jacques-derridas-cinema-9780197694541/phttps://gandhi.vtexassets.com/arquivos/ids/4487125/image.jpg?v=638505222035000000InStockMXN99999DIEbook20249780197694541_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_<p>Situated at the intersection of film and media studies, literary theory, and continental philosophy, <em>The Traces of Jacques Derridas Cinema</em> provides a trenchant account of the role of cinema in the oeuvre of one of the most influential philosophers of the twentieth century, Jacques Derrida (1930-2004). The book is animated by Derridas self-confessed passion for the movies, his reluctance to write about film despite the range of his corpus, and the generative encounters arising between his legacy and the field of film and media studies as a result. Given the expanse of its references, interdisciplinarity, and consideration of Derridas approach to the experience of both spectatorship and the act of being filmed, The Traces of Jacques Derridas Cinema contributes to the ongoing close analyses of the philosophers work while also providing a rigorous introduction to deconstruction. Author Timothy Holland interweaves historical and speculative modes of research and writing to articulate the peripheral-yet surprisingly crucial-place of the cinematic medium for Derrida and his philosophical enterprise. The outcome is a meticulously detailed survey of the centers and margins of Derridas oeuvre that include forays into such terrain as: his notable appearances in films; an unrealized project on cinema and belief that Derrida proposed in a 2001 interview; the correspondences between the strategies of deconstruction and the traditions, homecomings, and wordplay of David Lynchs cinematic media; and the questions wedded to the future of film studies amid the vicissitudes of the modern, virtual university. Ultimately, Holland pursues the thinking activated by the flickering of Derridas cinema-not only the absence and presence of film in Derridas professional and personal life, but also the rigor of academic discourse and the pleasures of the movies, ghosts and technology, religious faith and scientific knowledge, and ruination and survival-as a critical chance for reflection.</p>...9780197694541_Oxford University Presslibro_electonico_9780197694541_9780197694541Timothy HollandInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/oxfordupuk-epub-d37817b7-a0f8-487c-afdb-740eb830e8cc.epub2024-04-23T00:00:00+00:00Oxford University Press