product
3906427A Curtain of Greenhttps://www.gandhi.com.mx/a-curtain-of-green-9780547538501/phttps://gandhi.vtexassets.com/arquivos/ids/3458292/c2f4a9e3-c0b8-4201-ab3a-f0bfaaa768f5.jpg?v=638385402356030000206251MXNHoughton Mifflin HarcourtInStock/Ebooks/<p><strong>The debut short fiction collection from the Pulitzer Prizewinning Southern author: A fine writer and a distinguished book</strong> (<strong><em>The New Yorker</em>).</strong></p><p>When <em>A Curtain of Green</em> was published, it immediately established an unknown young writer from Mississippi as a uniquely original literary voice and a great American author. In her now-famous introduction to the collection, Katherine Anne Porter wrote that there is even in the smallest story a sense of power in reserve which makes me believe firmly that, splendid beginning that it is, it is only a beginning.</p><p>In this collection are many of the stories that have become acknowledged masterpieces: the hilarious over-the-top family drama that drives a small-town resentful postmistress to explain Why I Live at the P.O.; the deeply satisfying thwarting of a trio of busybodies by a feeble-minded young woman in Lily Daw and the Three Ladies; the poignant pilgrimage of elderly Phoenix Jackson in A Worn Path; and the boldly experimental and jubilantly playful literary improvisation of Powerhouse, inspired by a performance Eudora Welty saw by Fats Waller.</p><p>Porter added that [Welty] has simply an eye and an ear sharp, shrewd, and true as a tuning fork. Like the jazz tunes Powerhouse bangs out on the piano, Weltys stories remain as fresh, alive, and unpredictable today as when they first appeared.</p><p>Miss Weltys stories are deceptively simple. They are concerned with ordinary people, but what happens to them and the manner of the telling are far from ordinary.<em>The New Yorker</em></p>...3842316A Curtain of Green206251https://www.gandhi.com.mx/a-curtain-of-green-9780547538501/phttps://gandhi.vtexassets.com/arquivos/ids/3458292/c2f4a9e3-c0b8-4201-ab3a-f0bfaaa768f5.jpg?v=638385402356030000InStockMXN99999DIEbook19919780547538501_W3siaWQiOiJjZmI0ZDYxNy0wYjg5LTQ5ZjAtOTMxMi1lYTc3M2I1ZGVjODUiLCJsaXN0UHJpY2UiOjI1MSwiZGlzY291bnQiOjQ1LCJzZWxsaW5nUHJpY2UiOjIwNiwiaW5jbHVkZXNUYXgiOnRydWUsInByaWNlVHlwZSI6Ildob2xlc2FsZSIsImN1cnJlbmN5IjoiTVhOIiwiZnJvbSI6IjIwMjQtMTItMDRUMDQ6MDA6MDBaIiwicmVnaW9uIjoiTVgiLCJpc1ByZW9yZGVyIjpmYWxzZX1d9780547538501_<p><strong>The debut short fiction collection from the Pulitzer Prizewinning Southern author: A fine writer and a distinguished book</strong> (<strong><em>The New Yorker</em>).</strong></p><p>When <em>A Curtain of Green</em> was published, it immediately established an unknown young writer from Mississippi as a uniquely original literary voice and a great American author. In her now-famous introduction to the collection, Katherine Anne Porter wrote that there is even in the smallest story a sense of power in reserve which makes me believe firmly that, splendid beginning that it is, it is only a beginning.</p><p>In this collection are many of the stories that have become acknowledged masterpieces: the hilarious over-the-top family drama that drives a small-town resentful postmistress to explain Why I Live at the P.O.; the deeply satisfying thwarting of a trio of busybodies by a feeble-minded young woman in Lily Daw and the Three Ladies; the poignant pilgrimage of elderly Phoenix Jackson in A Worn Path; and the boldly experimental and jubilantly playful literary improvisation of Powerhouse, inspired by a performance Eudora Welty saw by Fats Waller.</p><p>Porter added that Welty has simply an eye and an ear sharp, shrewd, and true as a tuning fork. Like the jazz tunes Powerhouse bangs out on the piano, Weltys stories remain as fresh, alive, and unpredictable today as when they first appeared.</p><p>Miss Weltys stories are deceptively simple. They are concerned with ordinary people, but what happens to them and the manner of the telling are far from ordinary.<em>The New Yorker</em></p>...(*_*)9780547538501_<p><strong>The debut short fiction collection from the Pulitzer Prizewinning Southern author: A fine writer and a distinguished book</strong> (<strong><em>The New Yorker</em>).</strong></p><p>When <em>A Curtain of Green</em> was published, it immediately established an unknown young writer from Mississippi as a uniquely original literary voice and a great American author. In her now-famous introduction to the collection, Katherine Anne Porter wrote that there is even in the smallest story a sense of power in reserve which makes me believe firmly that, splendid beginning that it is, it is only a beginning.</p><p>In this collection are many of the stories that have become acknowledged masterpieces: the hilarious over-the-top family drama that drives a small-town resentful postmistress to explain Why I Live at the P.O.; the deeply satisfying thwarting of a trio of busybodies by a feeble-minded young woman in Lily Daw and the Three Ladies; the poignant pilgrimage of elderly Phoenix Jackson in A Worn Path; and the boldly experimental and jubilantly playful literary improvisation of Powerhouse, inspired by a performance Eudora Welty saw by Fats Waller.</p><p>Porter added that [Welty] has simply an eye and an ear sharp, shrewd, and true as a tuning fork. Like the jazz tunes Powerhouse bangs out on the piano, Weltys stories remain as fresh, alive, and unpredictable today as when they first appeared.</p><p>Miss Weltys stories are deceptively simple. They are concerned with ordinary people, but what happens to them and the manner of the telling are far from ordinary.<em>The New Yorker</em></p>...9780547538501_Houghton Mifflin Harcourtlibro_electonico_63b5a7a0-7e9b-3a3d-96e3-7e348351d6db_9780547538501;9780547538501_9780547538501Eudora WeltyInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/openroadmedia-epub-aa1ae40d-0f6f-4e9a-8268-575e7d455440.epub1991-11-07T00:00:00+00:00Houghton Mifflin Harcourt