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Daniel Orrells
Antiquity in Print
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4767406Antiquity in Printhttps://www.gandhi.com.mx/antiquity-in-print-9781350407794/phttps://gandhi.vtexassets.com/arquivos/ids/4184998/image.jpg?v=638445839474000000545574MXNBloomsbury PublishingInStock/Ebooks/<p><strong>Daniel Orrellsexamines the ways in which the ancient world was visualized for Enlightenment readers, and reveals how antiquarian scholarship emerged as the principal technology for envisioning ancient Greek culture, at a time when very few people could travel to Greece which was still part of the Ottoman Empire.</strong> Offering a fresh account of the rise of antiquarianism in the 18th century, Orrells shows how this period of cultural progression was important for the invention of classical studies. In particular, the main focus of this book is on the visionary experimentalism of antiquarian book production, especially in relation to the contentious nature of ancient texts.</p><p>With the explosion of the Quarrel between the Ancients and the Moderns, eighteenth-century intellectuals, antiquarians and artists such as Giambattista Vico, Johann Joachim Winckelmann, the Comte de Caylus, James Stuart, Julien-David Leroy, Giovanni Battista Piranesi and Pierre-Franois Hugues dHancarville all became interested in how printed engravings of ancient art and archaeology could visualize a historical narrative. These figures theorized the relationship between ancient text and ancient material and visual culture - theorizations which would pave the way to foundational questions at the heart of the discipline of classical studies and neoclassical aesthetics.</p>...4557690Antiquity in Print545574https://www.gandhi.com.mx/antiquity-in-print-9781350407794/phttps://gandhi.vtexassets.com/arquivos/ids/4184998/image.jpg?v=638445839474000000InStockMXN99999DIEbook20249781350407794_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_<p><strong>Daniel Orrellsexamines the ways in which the ancient world was visualized for Enlightenment readers, and reveals how antiquarian scholarship emerged as the principal technology for envisioning ancient Greek culture, at a time when very few people could travel to Greece which was still part of the Ottoman Empire.</strong> Offering a fresh account of the rise of antiquarianism in the 18th century, Orrells shows how this period of cultural progression was important for the invention of classical studies. In particular, the main focus of this book is on the visionary experimentalism of antiquarian book production, especially in relation to the contentious nature of ancient texts.</p><p>With the explosion of the Quarrel between the Ancients and the Moderns, eighteenth-century intellectuals, antiquarians and artists such as Giambattista Vico, Johann Joachim Winckelmann, the Comte de Caylus, James Stuart, Julien-David Leroy, Giovanni Battista Piranesi and Pierre-Franois Hugues dHancarville all became interested in how printed engravings of ancient art and archaeology could visualize a historical narrative. These figures theorized the relationship between ancient text and ancient material and visual culture - theorizations which would pave the way to foundational questions at the heart of the discipline of classical studies and neoclassical aesthetics.</p>...9781350407794_Bloomsbury Publishinglibro_electonico_9781350407794_9781350407794Daniel OrrellsInglésMéxico2024-05-16T00:00:00+00:002024-05-16T00:00:00+00:00Bloomsbury Publishing