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Wes Hill
Art after the Hipster
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2641483Art after the Hipsterhttps://www.gandhi.com.mx/art-after-the-hipster-9783319685786/phttps://gandhi.vtexassets.com/arquivos/ids/3332576/af947f7e-ad5a-4a86-8887-eeb6b86022ae.jpg?v=63838522200493000010731192MXNSpringer International PublishingInStock/Ebooks/<p>This book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaires flneur to the contemporary creative borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many artists to confront their own significance, responding to the mass artification of contemporary life by de-emphasising the formal and textual deconstructions so central to the legacies of modern and postmodern art. In the era of creative digital technologies, long held characteristics of art such as individual expression, innovation, and alternative lifestyle are now features of a flooded and fast-paced global marketplace. Against the idea that artists, like hipsters, are the foot soldiers of capitalism, the institutionalized networks that make up the contemporary art world are working to portray a view of art that is less a discerning exercise in innovative form-making than a social platforma forum for populist aesthetic pleasures or socio-political causes. It is in this sense that the concept of the hipster is caught up in age-old debates about the relation between ethics and aesthetics, examined here in terms of the dynamics of global contemporary art.</p>...2577688Art after the Hipster10731192https://www.gandhi.com.mx/art-after-the-hipster-9783319685786/phttps://gandhi.vtexassets.com/arquivos/ids/3332576/af947f7e-ad5a-4a86-8887-eeb6b86022ae.jpg?v=638385222004930000InStockMXN99999DIEbook20179783319685786_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_<p>This book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaire’s flâneur to the contemporary “creative” borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many artists to confront their own significance, responding to the mass artification of contemporary life by de-emphasising the formal and textual deconstructions so central to the legacies of modern and postmodern art. In the era of creative digital technologies, long held characteristics of art such as individual expression, innovation, and alternative lifestyle are now features of a flooded and fast-paced global marketplace. Against the idea that artists, like hipsters, are the “foot soldiers of capitalism”, the institutionalized networks that make up the contemporary art world are working to portray a view of art that is less a discerning exercise in innovative form-making than a social platform—a forum for populist aesthetic pleasures or socio-political causes. It is in this sense that the concept of the hipster is caught up in age-old debates about the relation between ethics and aesthetics, examined here in terms of the dynamics of global contemporary art.</p>(*_*)9783319685786_<p>This book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaires flneur to the contemporary creative borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many artists to confront their own significance, responding to the mass artification of contemporary life by de-emphasising the formal and textual deconstructions so central to the legacies of modern and postmodern art. In the era of creative digital technologies, long held characteristics of art such as individual expression, innovation, and alternative lifestyle are now features of a flooded and fast-paced global marketplace. Against the idea that artists, like hipsters, are the foot soldiers of capitalism, the institutionalized networks that make up the contemporary art world are working to portray a view of art that is less a discerning exercise in innovative form-making than a social platforma forum for populist aesthetic pleasures or socio-political causes. It is in this sense that the concept of the hipster is caught up in age-old debates about the relation between ethics and aesthetics, examined here in terms of the dynamics of global contemporary art.</p>...9783319685786_Springer International Publishinglibro_electonico_834cd960-a179-3383-9a4a-6cc029e11714_9783319685786;9783319685786_9783319685786Wes HillInglésMéxico2017-10-20T00:00:00+00:00Springer International Publishing