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Bond Girls
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3571067Bond Girlshttps://www.gandhi.com.mx/bond-girls-9781350124707/phttps://gandhi.vtexassets.com/arquivos/ids/2429001/31ae13c4-1f4e-4842-8adb-9e98ff2afb56.jpg?v=638383963056800000https://gandhi.vtexassets.com/arquivos/ids/2427024/31ae13c4-1f4e-4842-8adb-9e98ff2afb56.jpg?v=638383960488430000626696MXNBloomsbury PublishingInStock/Ebooks/<p><strong>Runner-up for the Emily Toth Award for Best Single Work in Womens Studies 2020</strong></p><p>Since Ursula Andresss white-bikini debut in <em>Dr No</em>, Bond Girls have been simultaneously celebrated as fashion icons and dismissed as eye-candy. But the visual glamour of the women of James Bond reveals more than the sexual objectification of female beauty. Through the original joint perspectives of body and fashion, this exciting study throws a new, subversive light on Bond Girls. Like Coco Chanel, fashions eternal <em>mademoiselle</em>, these Girls are synonymous with an unconventional and dynamic femininity that does not play by the rules and refuses to sit still; far from being the passive objects of the male gaze, Bond Girls active bodies instead disrupt the stable frame of Bonds voyeurism.</p><p>Starting off with an original re-assessment of the cultural roots of Bonds postwar masculinity, the book argues that Bond Girls emerge from masculine anxieties about the rise of female emancipation after the Second World War and persistent in the present day. Displaying parallels with the politics of race and colonialism, such tensions appear through sartorial practices as diverse as exoticism, power dressing and fetish wear, which reveal complex and often contradictory ideas about the patriarchal and imperial ideologies associated with Bond. Attention to costume, film and gender theory makes <em>Bond Girls: Body, Gender and Fashion</em> essential reading for students and scholars of fashion, media and cultural studies, and for anyone with an interest in Bond.</p>...3507168Bond Girls626696https://www.gandhi.com.mx/bond-girls-9781350124707/phttps://gandhi.vtexassets.com/arquivos/ids/2429001/31ae13c4-1f4e-4842-8adb-9e98ff2afb56.jpg?v=638383963056800000https://gandhi.vtexassets.com/arquivos/ids/2427024/31ae13c4-1f4e-4842-8adb-9e98ff2afb56.jpg?v=638383960488430000InStockMXN99999DIEbook20199781350124707_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_<p>Since Ursula Andresss white-bikini debut in <em>Dr No</em>, Bond Girls have been simultaneously celebrated as fashion icons and dismissed as eye-candy. But the visual glamour of the women of James Bond reveals more than the sexual objectification of female beauty. Through the original joint perspectives of body and fashion, this exciting study throws a new, subversive light on Bond Girls. Like Coco Chanel, fashions eternal <em>mademoiselle</em>, these Girls are synonymous with an unconventional and dynamic femininity that does not play by the rules and refuses to sit still; far from being the passive objects of the male gaze, Bond Girls active bodies instead disrupt the stable frame of Bonds voyeurism.</p><p>Starting off with an original re-assessment of the cultural roots of Bonds postwar masculinity, the book argues that Bond Girls emerge from masculine anxieties about the rise of female emancipation after the Second World War and persistent in the present day. Displaying parallels with the politics of race and colonialism, such tensions appear through sartorial practices as diverse as exoticism, power dressing and fetish wear, which reveal complex and often contradictory ideas about the patriarchal and imperial ideologies associated with Bond. Attention to costume, film and gender theory makes <em>Bond Girls: Body, Gender and Fashion</em> essential reading for students and scholars of fashion, media and cultural studies, and for anyone with an interest in Bond.</p>(*_*)9781350124707_<p>Since Ursula Andresss white-bikini debut in <em>Dr No</em>, Bond Girls have been simultaneously celebrated as fashion icons and dismissed as eye-candy. But the visual glamour of the women of James Bond reveals more than the sexual objectification of female beauty. Through the original joint perspectives of body and fashion, this exciting study throws a new, subversive light on Bond Girls. Like Coco Chanel, fashions eternal <em>mademoiselle</em>, these Girls are synonymous with an unconventional and dynamic femininity that does not play by the rules and refuses to sit still; far from being the passive objects of the male gaze, Bond Girls active bodies instead disrupt the stable frame of Bonds voyeurism.</p><p>Starting off with an original re-assessment of the cultural roots of Bonds postwar masculinity, the book argues that Bond Girls emerge from masculine anxieties about the rise of female emancipation after the Second World War and persistent in the present day. Displaying parallels with the politics of race and colonialism, such tensions appear through sartorial practices as diverse as exoticism, power dressing and fetish wear, which reveal complex and often contradictory ideas about the patriarchal and imperial ideologies associated with Bond. Attention to costume, film and gender theory makes <em>Bond Girls: Body, Gender and Fashion</em> essential reading for students and scholars of fashion, media and cultural studies, and for anyone with an interest in Bond.</p>...(*_*)9781350124707_<p><strong>Runner-up for the Emily Toth Award for Best Single Work in Womens Studies 2020</strong></p><p>Since Ursula Andresss white-bikini debut in <em>Dr No</em>, Bond Girls have been simultaneously celebrated as fashion icons and dismissed as eye-candy. But the visual glamour of the women of James Bond reveals more than the sexual objectification of female beauty. Through the original joint perspectives of body and fashion, this exciting study throws a new, subversive light on Bond Girls. Like Coco Chanel, fashions eternal <em>mademoiselle</em>, these Girls are synonymous with an unconventional and dynamic femininity that does not play by the rules and refuses to sit still; far from being the passive objects of the male gaze, Bond Girls active bodies instead disrupt the stable frame of Bonds voyeurism.</p><p>Starting off with an original re-assessment of the cultural roots of Bonds postwar masculinity, the book argues that Bond Girls emerge from masculine anxieties about the rise of female emancipation after the Second World War and persistent in the present day. Displaying parallels with the politics of race and colonialism, such tensions appear through sartorial practices as diverse as exoticism, power dressing and fetish wear, which reveal complex and often contradictory ideas about the patriarchal and imperial ideologies associated with Bond. Attention to costume, film and gender theory makes <em>Bond Girls: Body, Gender and Fashion</em> essential reading for students and scholars of fashion, media and cultural studies, and for anyone with an interest in Bond.</p>...9781350124707_Bloomsbury Publishinglibro_electonico_87f8690b-a033-3be2-ab92-c572cae21b78_9781350124707;9781350124707_9781350124707Dr MonicaInglésMéxico2019-10-03T00:00:00+00:00Bloomsbury Publishing