Carl Christian Anton (C. C. A.) Christensen left paintings that provide unique glimpses into the beliefs and life experiences of nineteenth-century members of The Church of Jesus Christ of Latter-day Saints. Christensen took his subject matter from the Book of Mormon and the Church’s early history, painting widely admired scenes and panoramas that portrayed, retold, and interpreted the past.

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Drawing on the artist’s voluminous writings, Jennifer Champoux illuminates Christensen’s influential art, including recently rediscovered works. Christensen received Church commissions and approval and helped shape Latter-day Saints’ vision of themselves. Over time the work of other artists eclipsed his achievements, but a twenty-first century revival of interest began to restore his reputation. Champoux also profiles how Christensen’s expansive activities outside of the art world gave him a unique vantage point for chronicling how the Latter-day Saint faith and culture evolved in Utah.

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A revealing intellectual biography, C. C. A. Christensen offers a rare in-depth look at a major Latter-day Saint artist.

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C. C. A. Christensen

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