9798217073528_

An upcoming book to be published by Penguin Random House.

...(*_*)9798217073528_

A dazzling docupoetic debut collection interweaving ripped-from-the-headlines pop culture herstories with the personal narratives of Whitney Houston, Aaliyah, Lisa Left Eye Lopes, and others, to interrogate celebrity, identity, sexuality, industry abuse, death, and the afterlives of stardom.

I made, of my bones, an earth for you: turned the oceans
your favorite shade of light, that deepened, nearly bruised
dusk. reflected in my palms, what Ive made into water
glows amethyst: when you drink from it, you are iridescent

In Dead Girl Cameo, m. mick powellclosely examines the experiences of Aaliyah Haughton, Lisa Left Eye Lopes, Whitney Houston, and other notable superstars who died tragically too soon. How did these starlets challenge conventional representations of Black femininity and friendship, and forever transform the musical landscape? How were the artistries and addictions of these women of color impacted from surviving in the limelight and, often, in the very same industry as their abusers? How did the literal and metaphorical deaths of these Black women superstars establish legacies of Black queer femme existence and afterlife?

In stunning imagery and sensual wordplay using ekphrasis, erasure, digital collage, archival research, and speculative nonfiction in verse, Dead Girl Cameo traverses the intimate realms of superstars to reconfigure Black girlhood, survivorhood, femme friendship, and queer fandom.

...(*_*)9798217073528_

A dazzling docupoetic debut collection interweaving personal loss with the life stories of Aaliyah Haughton, Whitney Houston, Lisa Left Eye Lopes, Phyllis Hyman, Selena Quintanilla-Pérez, and others to explore sexuality, survival, queer mourning, and the afterlives of stardom

I made, of my bones, an earth for you: turned the oceans
your favorite shade of light, that deepened, nearly bruised
dusk. Reflected in my palms, what Ive made into water
glows amethyst

In m. mick powells polyphonic, haunting debut, a chorus of voices conjures up intimate pop herstories to map how the poets queer Black girlhood was molded by their memory. With tender reverence, powell meditates on the deaths of her own beloveds while reflecting on the many stages of an icons life: How did these women challenge conventional representations of Black femininity and transform the musical landscape? How did they navigate abuse and alienation in the limelight? How do the mythologies that survive them establish afterlives of queer femme possibility?

Through sensual imagery, speculative verse, and splendid wordplay, Dead Girl Cameo takes us beyond the headlines, innovating a Black feminist poetic that traverses the richly textured realms of grief, girlhood, love, widowing, femme friendship, and queer fandom.

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Studded with perfect little jewels of looking, of feeling, of deep knowing . . . These poems haunt, and celebrate, and mourn.Safia Elhillo, author of Girls That Never Die

I made, of my bones, an earth for you: turned the oceans
your favorite shade of light, that deepened, nearly bruised
dusk. Reflected in my palms, what Ive made into water
glows amethyst

...(*_*)9798217073528_

Poet m. mick powells debut collection . . . resurrects their vivid lives and artistry to paint a more humanizing picture of their legacy.USA Today

I made, of my bones, an earth for you: turned the oceans
your favorite shade of light, that deepened, nearly bruised
dusk. Reflected in my palms, what Ive made into water
glows amethyst

...(*_*)9798217073528_

**A dazzling docupoetic debut collection interweaving personal loss with the life stories of Aaliyah Haughton, Whitney Houston, Lisa “Left Eye” Lopes, Phyllis Hyman, Selena Quintanilla-Pérez, and others to explore sexuality, survival, queer mourning, and the afterlives of stardom

“Poet m. mick powell’s debut collection . . . resurrects their vivid lives and artistry to paint a more humanizing picture of their legacy.”—USA Today**

A DEBUTIFUL AND NEW YORK PUBLIC LIBRARY BEST BOOK OF THE YEAR

“I made, of my bones, an earth for you: turned the oceans
nyour favorite shade of light, that deepened, nearly bruised
ndusk. Reflected in my palms, what I’ve made into water
nglows amethyst”

In m. mick powell’s polyphonic, haunting debut, a chorus of voices conjures up intimate pop herstories to map how the poet’s queer Black girlhood was molded by their memory. With tender reverence, powell meditates on the deaths of her own beloveds while reflecting on the many stages of an icon’s life: How did these women challenge conventional representations of Black femininity and transform the musical landscape? How did they navigate abuse and alienation in the limelight? How do the mythologies that survive them establish afterlives of queer femme possibility?

Dead Girl Cameo

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