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Sony Coráñez
Dos X
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7438373Dos Xhttps://www.gandhi.com.mx/dos-x-9781477331392/phttps://gandhi.vtexassets.com/arquivos/ids/7035725/image.jpg?v=638794444866270000https://gandhi.vtexassets.com/arquivos/ids/7035709/image.jpg?v=638794444842000000606674MXNUniversity of Texas PressInStock/Ebooks/<p><strong>An examination of the interconnectedness of brown-racialized people across multiple identities, told through case studies of television, literature, and writing.</strong></p><p>As a Filipinx immigrant to the United States, Sony Coráñez Bolton has frequently been mistaken as Mexican. <em>Dos X</em> theorizes such misrecognition. What does it mean to exist in this liminal state, which Coráñez Bolton dubs the racial uncanny? What generative possibilities emerge from the presumed interchangeability of Latinx and Filipinx bodiesand from the in-betweenness of brownness as such?</p><p><em>Dos X</em> tracks misrecognition through cultural products like the TV series <em>Undone</em>, Brian Ascalon Roleys <em>American Son</em>, and the nonfiction work of Jose Antonio Vargas. Misrecognition, Coráñez Bolton argues, produces moments of uncanniness in which subjects experience dysphoric attachments to identities that arent supposed to be theirs. In the context of racial capitalism, racial dysphoria is a disability because it undermines certainty about what ones body is and therefore what role one is meant to play as a laborer. But racial dysphoria can also be revealing. Coráñez Bolton identifies vast potential in this supposed disability, which compels its sufferers to confront their shared position within the social, political, and economic organization of capitals empire, opening new avenues for liberatory solidarity.</p>...7067549Dos X606674https://www.gandhi.com.mx/dos-x-9781477331392/phttps://gandhi.vtexassets.com/arquivos/ids/7035725/image.jpg?v=638794444866270000https://gandhi.vtexassets.com/arquivos/ids/7035709/image.jpg?v=638794444842000000InStockMXN99999DIEbook20259781477331392_W3siaWQiOiIwYjhjY2ZmMy03OTE1LTQxMGMtOGZiNi1jNDZiYmVmNTc1YzAiLCJsaXN0UHJpY2UiOjY3NCwiZGlzY291bnQiOjY4LCJzZWxsaW5nUHJpY2UiOjYwNiwiaW5jbHVkZXNUYXgiOnRydWUsInByaWNlVHlwZSI6Ildob2xlc2FsZSIsImN1cnJlbmN5IjoiTVhOIiwiZnJvbSI6IjIwMjUtMDctMDFUMDA6MDA6MDBaIiwicmVnaW9uIjoiTVgiLCJpc1ByZW9yZGVyIjpmYWxzZX1d9781477331392_<p><strong>An examination of the interconnectedness of brown-racialized people across multiple identities, told through case studies of television, literature, and writing.</strong></p><p>As a Filipinx immigrant to the United States, Sony Coráñez Bolton has frequently been mistaken as Mexican. <em>Dos X</em> theorizes such misrecognition. What does it mean to exist in this liminal state, which Coráñez Bolton dubs the racial uncanny? What generative possibilities emerge from the presumed interchangeability of Latinx and Filipinx bodiesand from the in-betweenness of brownness as such?</p><p><em>Dos X</em> tracks misrecognition through cultural products like the TV series <em>Undone</em>, Brian Ascalon Roleys <em>American Son</em>, and the nonfiction work of Jose Antonio Vargas. Misrecognition, Coráñez Bolton argues, produces moments of uncanniness in which subjects experience dysphoric attachments to identities that arent supposed to be theirs. In the context of racial capitalism, racial dysphoria is a disability because it undermines certainty about what ones body is and therefore what role one is meant to play as a laborer. But racial dysphoria can also be revealing. Coráñez Bolton identifies vast potential in this supposed disability, which compels its sufferers to confront their shared position within the social, political, and economic organization of capitals empire, opening new avenues for liberatory solidarity.</p>...9781477331392_University of Texas Presslibro_electonico_9781477331392_9781477331392Sony CoráñezInglésMéxico2025-06-10T00:00:00+00:00https://getbook.kobo.com/koboid-prod-public/utexaspress-epub-4d5f2995-4a47-435c-9c62-9d62cfc4eb69.epub2025-06-10T00:00:00+00:00University of Texas Press