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Alice Grundy
Editing Fiction
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1053896Editing Fictionhttps://www.gandhi.com.mx/editing-fiction/phttps://gandhi.vtexassets.com/arquivos/ids/964521/a22e101d-9bfa-4979-b64a-a28c476d1110.jpg?v=638337087883870000296348MXNCambridge University PressInStock/Ebooks/<p>Editing Fiction considers the collaborative efforts of literary production as well as editorial practice in its own right, using case studies by Australian novelists Jessica Anderson, Thea Astley and Ruth Park. An emphasis on collaboration is necessary because literary criticism often takes books as finite, discrete works rather than the result of multiple contributors, engaged to differing degrees. The editorial process always involves a negotiation over edits for the sake of the work, taking its potential reception or projected sales into account. Through examination of the archives, this Element shows that editing can be formative, limiting, commercially directed, a literary collaboration or a mix of all these interventions. For editors and scholars alike, the Element examines practices of the recent past, seeking to determine the responsibilities of editors and publishers to authors, the text itself and to society; and the interrelation of editorial work, social conditions and market forces.</p>...1049547Editing Fiction296348https://www.gandhi.com.mx/editing-fiction/phttps://gandhi.vtexassets.com/arquivos/ids/964521/a22e101d-9bfa-4979-b64a-a28c476d1110.jpg?v=638337087883870000InStockMXN99999DIEbook20229781009037471_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_<p>Editing Fiction considers the collaborative efforts of literary production as well as editorial practice in its own right, using case studies by Australian novelists Jessica Anderson, Thea Astley and Ruth Park. An emphasis on collaboration is necessary because literary criticism often takes books as finite, discrete works rather than the result of multiple contributors, engaged to differing degrees. The editorial process always involves a negotiation over edits for the sake of the work, taking its potential reception or projected sales into account. Through examination of the archives, this Element shows that editing can be formative, limiting, commercially directed, a literary collaboration or a mix of all these interventions. For editors and scholars alike, the Element examines practices of the recent past, seeking to determine the responsibilities of editors and publishers to authors, the text itself and to society; and the interrelation of editorial work, social conditions and market forces.</p>9781009037471_Cambridge University Presslibro_electonico_339c0284-da2e-3cb7-861b-dfdbbf9d6698_9781009037471;9781009037471_9781009037471Alice GrundyInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/cambridgeupress-epub-21144795-57f0-4853-a057-20cb6099ce42.epub2022-08-04T00:00:00+00:00Cambridge University Press