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Rhonda D.
Evidence of Things Not Seen
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1511454Evidence of Things Not Seenhttps://www.gandhi.com.mx/evidence-of-things-not-seen/phttps://gandhi.vtexassets.com/arquivos/ids/656891/699ce5f6-2d37-4805-b800-324e4cf0065a.jpg?v=638335678916500000487676MXNRutgers University PressInStock/Ebooks/<p><em>Evidence of Things Not Seen</em>: <em>Fantastical Blackness in Genre Fictions</em> is an interdisciplinary study of blackness in genre literature of the Americas. The fantastical in fantastical blackness is conceived by an unrestrained imagination because it lives, despite every attempt at annihilation. This blackness amazes because it refuses the limits of anti-blackness. As put to work in this project, fantastical blackness is an ethical praxis that centers black self-knowledge as a point of departure rather than as a reaction to threatening or diminishing dominant narratives. Mystery, romance, fantasy, mixed-genre, and science fictions unrestrained imaginings profoundly communicate this quality of blackness, specifically here through the work of Barbara Neely, Colson Whitehead, Nalo Hopkinson, and Colin Channer. When black writers center this expressive quality, they make fantastical blackness available to a broad audience that then uses its imaginable vocabularies to reshape extra-literary realities. Ultimately, popular genres imaginable possibilities offer strategies through which the made up can be made real.</p>...1493130Evidence of Things Not Seen487676https://www.gandhi.com.mx/evidence-of-things-not-seen/phttps://gandhi.vtexassets.com/arquivos/ids/656891/699ce5f6-2d37-4805-b800-324e4cf0065a.jpg?v=638335678916500000InStockMXN99999DIEbook20229781978818088_W3siaWQiOiJkOTMxN2RmMC05Nzg3LTRmOWEtYmMyOC1mNWYwMjk4MDJiNGEiLCJsaXN0UHJpY2UiOjcxNywiZGlzY291bnQiOjIwMSwic2VsbGluZ1ByaWNlIjo1MTYsImluY2x1ZGVzVGF4Ijp0cnVlLCJwcmljZVR5cGUiOiJXaG9sZXNhbGUiLCJjdXJyZW5jeSI6Ik1YTiIsImZyb20iOiIyMDI1LTA2LTExVDEzOjAwOjAwWiIsInRvIjoiMjAyNS0wNi0zMFQyMzo1OTo1OVoiLCJyZWdpb24iOiJNWCIsImlzUHJlb3JkZXIiOmZhbHNlfSx7ImlkIjoiYWViYjNkZDItNGFkNS00ZTEzLWI5ZDYtNjcxYzYzNzEzZGU3IiwibGlzdFByaWNlIjo2NzYsImRpc2NvdW50IjoxODksInNlbGxpbmdQcmljZSI6NDg3LCJpbmNsdWRlc1RheCI6dHJ1ZSwicHJpY2VUeXBlIjoiV2hvbGVzYWxlIiwiY3VycmVuY3kiOiJNWE4iLCJmcm9tIjoiMjAyNS0wNy0wMVQwMDowMDowMFoiLCJyZWdpb24iOiJNWCIsImlzUHJlb3JkZXIiOmZhbHNlfV0=9781978818088_pemEvidence of Things Not Seen/em: emFantastical Blackness in Genre Fictions/em is an interdisciplinary study of blackness in genre literature of the Americas. The fantastical in fantastical blackness is conceived by an unrestrained imagination because it lives, despite every attempt at annihilation. This blackness amazes because it refuses the limits of anti-blackness. As put to work in this project, fantastical blackness is an ethical praxis that centers black self-knowledge as a point of departure rather than as a reaction to threatening or diminishing dominant narratives. Mystery, romance, fantasy, mixed-genre, and science fictions unrestrained imaginings profoundly communicate this quality of blackness, specifically here through the work of Barbara Neely, Colson Whitehead, Nalo Hopkinson, and Colin Channer. When black writers center this expressive quality, they make fantastical blackness available to a broad audience that then uses its imaginable vocabularies to reshape extra-literary realities. Ultimately, popular genres imaginable possibilities offer strategies through which the made up can be made real./p(*_*)9781978818088_<p><em>Evidence of Things Not Seen</em>: <em>Fantastical Blackness in Genre Fictions</em> is an interdisciplinary study of blackness in genre literature of the Americas. The fantastical in fantastical blackness is conceived by an unrestrained imagination because it lives, despite every attempt at annihilation. This blackness amazes because it refuses the limits of anti-blackness. As put to work in this project, fantastical blackness is an ethical praxis that centers black self-knowledge as a point of departure rather than as a reaction to threatening or diminishing dominant narratives. Mystery, romance, fantasy, mixed-genre, and science fictions unrestrained imaginings profoundly communicate this quality of blackness, specifically here through the work of Barbara Neely, Colson Whitehead, Nalo Hopkinson, and Colin Channer. When black writers center this expressive quality, they make fantastical blackness available to a broad audience that then uses its imaginable vocabularies to reshape extra-literary realities. Ultimately, popular genres imaginable possibilities offer strategies through which the made up can be made real.</p>...9781978818088_Rutgers University Presslibro_electonico_604f9973-a554-3765-bd4a-dd7745ed6c53_9781978818088;9781978818088_9781978818088Rhonda D.InglésMéxicohttps://getbook.kobo.com/koboid-prod-public/rutgerspress-epub-060cc5e7-cedc-4668-84c8-611e7e1c7fec.epub2022-07-15T00:00:00+00:00Rutgers University Press