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Ayan Kumar
F - Stops and Face Plants - Confessions of Indias Most Optimistic (And Accident - Prone) Photographer
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7418063F - Stops and Face Plants - Confessions of Indias Most Optimistic (And Accident - Prone) Photographerhttps://www.gandhi.com.mx/f---stops-and-face-plants---confessions-of-indias-most-optimistic--and-accident---prone--photographer-9798230664734/phttps://gandhi.vtexassets.com/arquivos/ids/7010594/image.jpg?v=638786925063730000205205MXNGandhiInStock/Ebooks/<p>In the pantheon of great photographers, some names stand immortal: <strong>Ansel Adams, Henri Cartier-Bresson, Annie Leibovitz...</strong> and if you ask Vikram Mathur, hes absolutely certain his name belongs among them. The fact that his portfolio primarily features blurry thumbs, accidental selfies, and the rear ends of animals fleeing his approach is merely an artistic choice, not a reflection of talent.</p><p>Armed with expensive equipment he barely understands and confidence inversely proportional to his skill, Vikrams journey across India leaves a trail of drowned cameras, abandoned motorcycles, and baffled locals wondering if perhaps photography isnt his calling. But where others see disaster, Vikram sees artistic opportunityusually right before he falls into it.</p>...7048347F - Stops and Face Plants - Confessions of Indias Most Optimistic (And Accident - Prone) Photographer205205https://www.gandhi.com.mx/f---stops-and-face-plants---confessions-of-indias-most-optimistic--and-accident---prone--photographer-9798230664734/phttps://gandhi.vtexassets.com/arquivos/ids/7010594/image.jpg?v=638786925063730000InStockMXN99999DIEbook20259798230664734_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9798230664734_<p>In the pantheon of great photographers, some names stand immortal: <strong>Ansel Adams, Henri Cartier-Bresson, Annie Leibovitz...</strong> and if you ask Vikram Mathur, hes absolutely certain his name belongs among them. The fact that his portfolio primarily features blurry thumbs, accidental selfies, and the rear ends of animals fleeing his approach is merely an artistic choice, not a reflection of talent.</p><p>Armed with expensive equipment he barely understands and confidence inversely proportional to his skill, Vikrams journey across India leaves a trail of drowned cameras, abandoned motorcycles, and baffled locals wondering if perhaps photography isnt his calling. But where others see disaster, Vikram sees artistic opportunityusually right before he falls into it.</p>...9798230664734_Ayan Kumar Nathlibro_electonico_9798230664734_9798230664734Ayan KumarInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/draft2digital_ipp-epub-3d92d839-a532-4073-a589-51c7959740af.epub2025-03-24T00:00:00+00:00Ayan Kumar Nath