product
301457Faster Than A Cannonballhttps://www.gandhi.com.mx/faster-than-a-cannonball-1/phttps://gandhi.vtexassets.com/arquivos/ids/1515055/1872693a-c5fb-4046-a59e-0e0c33b6fad3.jpg?v=638338269601900000https://gandhi.vtexassets.com/arquivos/ids/1512382/1872693a-c5fb-4046-a59e-0e0c33b6fad3.jpg?v=638338264936670000619619MXNOrionInStock/Audiolibros/<p>Decades tend to crest halfway through, and 1995 was <em>the year</em> of the Nineties: peak Britpop (Oasis v Blur), peak YBA (Tracey Emins tent), peak New Lad (when Nick Hornby published <em>High Fidelity</em>, when James Browns <em>Loaded</em> detonated the publishing industry, and when pubs were finally allowed to stay open on a Sunday). It was the year of <em>The Bends</em>, the year Danny Boyle started filming <em>Trainspotting</em>, the year Richey Edwards went missing, the year Alex Garland wrote <em>The Beach</em>, the year Blair changed Clause IV after a controversial vote at the Labour Conference. It was a period of huge cultural upheaval - in art, literature, publishing and drugs, and a period of almost unparalleled hedonism.</p><p><em>Faster Than a Cannonball</em> is a cultural swipe of the decade from loungecore to the rise of New Labour, teasing all the relevant artistic strands through interviews with all the major protagonists and exhaustive re-evaluations of the important records of the year, by artists including Radiohead, Teenage Fanclub, Tricky, Pulp, Blur, the Chemical Brothers, Supergrass, Elastica, Spiritualized, Aphex Twin and, of course, Oasis.</p>...299205Faster Than A Cannonball619619https://www.gandhi.com.mx/faster-than-a-cannonball-1/phttps://gandhi.vtexassets.com/arquivos/ids/1515055/1872693a-c5fb-4046-a59e-0e0c33b6fad3.jpg?v=638338269601900000https://gandhi.vtexassets.com/arquivos/ids/1512382/1872693a-c5fb-4046-a59e-0e0c33b6fad3.jpg?v=638338264936670000InStockMXN99999DIAudiolibro20229781474624619_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9781474624619_<p>Decades tend to crest halfway through, and 1995 was <em>the year</em> of the Nineties: peak Britpop (Oasis v Blur), peak YBA (Tracey Emins tent), peak New Lad (when Nick Hornby published <em>High Fidelity</em>, when James Browns <em>Loaded</em> detonated the publishing industry, and when pubs were finally allowed to stay open on a Sunday). It was the year of <em>The Bends</em>, the year Danny Boyle started filming <em>Trainspotting</em>, the year Richey Edwards went missing, the year Alex Garland wrote <em>The Beach</em>, the year Blair changed Clause IV after a controversial vote at the Labour Conference.</p><p>Not only was the mid-Nineties perhaps the last time that rock stars, music journalists and pop consumers held onto a belief in rocks mystical power, it was a period of huge cultural upheaval - in art, literature, publishing and drugs. And it was a period of almost unparalleled hedonism, a time when many people thought they deserved to live the rock and roll lifestyle, when a generation of narcotic omnivores thought they could all be rock stars just by buying a magazine and a copy of <em>(Whats the Story) Morning Glory?</em></p><p><em>Faster Than a Cannonball</em> is a cultural swipe of the decade from loungecore to the rise of New Labour, teasing all the relevant artistic strands through interviews with all the major protagonists and exhaustive re-evaluations of the important records of the year - <em>The Bends</em> by Radiohead, <em>Grand Prix</em> by Teenage Fanclub, <em>Maxinquaye</em> by Tricky, <em>Different Class</em> by Pulp, <em>The Great Escape</em> by Blur, <em>Its Great When Youre Straight... Yeah!</em> by Black Grape, <em>Exit Planet Dust</em> by the Chemical Brothers, <em>I Should Coco</em> by Supergrass, <em>Elastica</em> by Elastica, <em>Pure Phase</em> by Spiritualized, ...<em>I Care Because You</em> Do by Aphex Twin and of course <em>(Whats the Story) Morning Glory</em> by Oasis, the most iconic album of the decade.</p>...(*_*)9781474624619_<p>Decades tend to crest halfway through, and 1995 was <em>the year</em> of the Nineties: peak Britpop (Oasis v Blur), peak YBA (Tracey Emins tent), peak New Lad (when Nick Hornby published <em>High Fidelity</em>, when James Browns <em>Loaded</em> detonated the publishing industry, and when pubs were finally allowed to stay open on a Sunday). It was the year of <em>The Bends</em>, the year Danny Boyle started filming <em>Trainspotting</em>, the year Richey Edwards went missing, the year Alex Garland wrote <em>The Beach</em>, the year Blair changed Clause IV after a controversial vote at the Labour Conference. It was a period of huge cultural upheaval - in art, literature, publishing and drugs, and a period of almost unparalleled hedonism.</p><p><em>Faster Than a Cannonball</em> is a cultural swipe of the decade from loungecore to the rise of New Labour, teasing all the relevant artistic strands through interviews with all the major protagonists and exhaustive re-evaluations of the important records of the year, by artists including Radiohead, Teenage Fanclub, Tricky, Pulp, Blur, the Chemical Brothers, Supergrass, Elastica, Spiritualized, Aphex Twin and, of course, Oasis.</p>...9781474624619_Orionaudiolibro_981ec3f3-cbf6-3c3e-8b72-dcac4cf678c9_9781474624619;9781474624619_9781474624619Dylan JonesInglésMéxicoNoMINUTE2022-10-13T00:00:00+00:00Orion