product
5015137Faulkner, Welty, Wrighthttps://www.gandhi.com.mx/faulkner--welty--wright-9781496851109/phttps://gandhi.vtexassets.com/arquivos/ids/4560959/image.jpg?v=638539788151900000418581MXNUniversity Press of MississippiInStock/Ebooks/<p>Contributions by Anita DeRouen, Susan V. Donaldson, Julia Eichelberger, W. Ralph Eubanks, Sarah Gilbreath Ford, Bernard T. Joy, John Wharton Lowe, Anne MacMaster, Rebecca Mark, Suzanne Marrs, Donnie McMahand, Kevin Murphy, Harriet Pollack, Annette Trefzer, Jay Watson, and Ryoichi Yamane</p><p>Working closely in each others orbit in Mississippi, William Faulkner, Eudora Welty, and Richard Wright created lasting portraits of southern culture, each from a distinctly different vantage point. Taking into consideration their personal, political, and artistic ways of responding to the histories and realities of their time and place, <em>Faulkner, Welty, Wright: A Mississippi Confluence</em> offers comparative scholarship that forges new connectionsor, as Welty might say, traces new confluencesacross texts, authors, identities, and traditions.</p><p>In the collection, contributors discuss Faulkners <em>Light in August</em>; <em>Sanctuary</em>; <em>Go Down, Moses</em>; <em>As I Lay Dying</em>; A Rose for Emily; and That Evening Sun; Weltys <em>One Writers Beginnings</em>; <em>One Time, One Place</em>; <em>The Optimists Daughter</em>; <em>Losing Battles</em>; Why I Live at the P.O.; Livvie; Moon Lake; The Burning; Where Is the Voice Coming From?; and The Demonstrators; and Wrights <em>Native Son</em>; <em>The Long Dream</em>; <em>12 Million Black Voices</em>; <em>Black Boy</em>; <em>Lawd Today!</em>; The Man Who Lived Underground; The Ethics of Living Jim Crow; and Long Black Song.</p><p>Acknowledging that Mississippi ground was never level for any of the three writers, the fourteen essays in this volume turn from the familiar strategies of single-author criticism toward a mode of analysis more receptive to the fluid mergings of creative currents, placing Wright, Welty, and Faulkner in comparative relationship to each other as well as to other Mississippi writers such as Margaret Walker, Lewis Nordan, Natasha Trethewey, Jesmyn Ward, Steve Yarbrough, and Kiese Laymon. Doing so deepens and enriches our understanding of these literary giants and the Mississippi modernism they made together.</p>...4747161Faulkner, Welty, Wright418581https://www.gandhi.com.mx/faulkner--welty--wright-9781496851109/phttps://gandhi.vtexassets.com/arquivos/ids/4560959/image.jpg?v=638539788151900000InStockMXN99999DIEbook20249781496851109_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9781496851109_<p>Contributions by Anita DeRouen, Susan V. Donaldson, Julia Eichelberger, W. Ralph Eubanks, Sarah Gilbreath Ford, Bernard T. Joy, John Wharton Lowe, Anne MacMaster, Rebecca Mark, Suzanne Marrs, Donnie McMahand, Kevin Murphy, Harriet Pollack, Annette Trefzer, Jay Watson, and Ryoichi Yamane</p><p>Working closely in each others orbit in Mississippi, William Faulkner, Eudora Welty, and Richard Wright created lasting portraits of southern culture, each from a distinctly different vantage point. Taking into consideration their personal, political, and artistic ways of responding to the histories and realities of their time and place, <em>Faulkner, Welty, Wright: A Mississippi Confluence</em> offers comparative scholarship that forges new connectionsor, as Welty might say, traces new confluencesacross texts, authors, identities, and traditions.</p><p>In the collection, contributors discuss Faulkners <em>Light in August</em>; <em>Sanctuary</em>; <em>Go Down, Moses</em>; <em>As I Lay Dying</em>; A Rose for Emily; and That Evening Sun; Weltys <em>One Writers Beginnings</em>; <em>One Time, One Place</em>; <em>The Optimists Daughter</em>; <em>Losing Battles</em>; Why I Live at the P.O.; Livvie; Moon Lake; The Burning; Where Is the Voice Coming From?; and The Demonstrators; and Wrights <em>Native Son</em>; <em>The Long Dream</em>; <em>12 Million Black Voices</em>; <em>Black Boy</em>; <em>Lawd Today!</em>; The Man Who Lived Underground; The Ethics of Living Jim Crow; and Long Black Song.</p><p>Acknowledging that Mississippi ground was never level for any of the three writers, the fourteen essays in this volume turn from the familiar strategies of single-author criticism toward a mode of analysis more receptive to the fluid mergings of creative currents, placing Wright, Welty, and Faulkner in comparative relationship to each other as well as to other Mississippi writers such as Margaret Walker, Lewis Nordan, Natasha Trethewey, Jesmyn Ward, Steve Yarbrough, and Kiese Laymon. Doing so deepens and enriches our understanding of these literary giants and the Mississippi modernism they made together.</p>...9781496851109_University Press of Mississippilibro_electonico_9781496851109_9781496851109InglésMéxico2024-06-20T00:00:00+00:00https://getbook.kobo.com/koboid-prod-public/upmississippi-epub-cc154301-dab6-4fe3-b260-c8ea1b7581ce.epub2024-06-20T00:00:00+00:00University Press of Mississippi