product
3823884Graphic Migrationshttps://www.gandhi.com.mx/graphic-migrations-9781439920268/phttps://gandhi.vtexassets.com/arquivos/ids/3505141/cd389508-cdc3-4248-ae27-b57fa361bf2f.jpg?v=638385468916270000468650MXNTemple University PressInStock/Ebooks/<p>In <em>Graphic Migrations,</em> Kavita Daiya provides a literary and cultural archive of refugee stories and experiences to respond to the question What is created? after decolonization and the 1947 Partition of India. She explores how stories of Partition migrations shape and influence the political and cultural imagination of secularism and contribute to gendered citizenship for South Asians in India and its diasporas.</p><p>Daiya analyzes modern literature, Bollywood films, Margaret Bourke-Whites photography, advertising, and print culture to show how they memorialize or erase refugee experiences. She also uses oral testimonies of Partition refugees from Hong Kong, South Asia, and North America to draw out the tensions of the nation-state, ethnic discrimination, and religious difference. Employing both Critical Refugee Studies and Feminist Postcolonial Studies frameworks, Daiya traces the cultural, affective, and political legacies of Partition migrations.</p><p>The precarity generated by modern migration and expressed through public culture prompts a rethinking of how dominant media represents gendered migrants and refugees. <em>Graphic Migrations</em> demands that we redraw the boundaries of how we tell the story of modern world history and the intricately interwoven, intimate production of statelessness and citizenship across the worlds communities.</p>...3759737Graphic Migrations468650https://www.gandhi.com.mx/graphic-migrations-9781439920268/phttps://gandhi.vtexassets.com/arquivos/ids/3505141/cd389508-cdc3-4248-ae27-b57fa361bf2f.jpg?v=638385468916270000InStockMXN99999DIEbook20209781439920268_W3siaWQiOiI5N2UwZDNiNi0wMTcxLTQxNGMtYWE5OC03NjcxYWVkNjQ5YjAiLCJsaXN0UHJpY2UiOjY1MCwiZGlzY291bnQiOjE4Miwic2VsbGluZ1ByaWNlIjo0NjgsImluY2x1ZGVzVGF4Ijp0cnVlLCJwcmljZVR5cGUiOiJXaG9sZXNhbGUiLCJjdXJyZW5jeSI6Ik1YTiIsImZyb20iOiIyMDI1LTA3LTAxVDAwOjAwOjAwWiIsInJlZ2lvbiI6Ik1YIiwiaXNQcmVvcmRlciI6ZmFsc2V9XQ==9781439920268_<p>In <em>Graphic Migrations,</em> Kavita Daiya provides a literary and cultural archive of refugee stories and experiences to respond to the question What is created? after decolonization and the 1947 Partition of India. She explores how stories of Partition migrations shape and influence the political and cultural imagination of secularism and contribute to gendered citizenship for South Asians in India and its diasporas.</p><p>Daiya analyzes modern literature, Bollywood films, Margaret Bourke-Whites photography, advertising, and print culture to show how they memorialize or erase refugee experiences. She also uses oral testimonies of Partition refugees from Hong Kong, South Asia, and North America to draw out the tensions of the nation-state, ethnic discrimination, and religious difference. Employing both Critical Refugee Studies and Feminist Postcolonial Studies frameworks, Daiya traces the cultural, affective, and political legacies of Partition migrations.</p><p>The precarity generated by modern migration and expressed through public culture prompts a rethinking of how dominant media represents gendered migrants and refugees. <em>Graphic Migrations</em> demands that we redraw the boundaries of how we tell the story of modern world history and the intricately interwoven, intimate production of statelessness and citizenship across the worlds communities.</p>(*_*)9781439920268_<p>In <em>Graphic Migrations,</em> Kavita Daiya provides a literary and cultural archive of refugee stories and experiences to respond to the question What is created? after decolonization and the 1947 Partition of India. She explores how stories of Partition migrations shape and influence the political and cultural imagination of secularism and contribute to gendered citizenship for South Asians in India and its diasporas.</p><p>Daiya analyzes modern literature, Bollywood films, Margaret Bourke-Whites photography, advertising, and print culture to show how they memorialize or erase refugee experiences. She also uses oral testimonies of Partition refugees from Hong Kong, South Asia, and North America to draw out the tensions of the nation-state, ethnic discrimination, and religious difference. Employing both Critical Refugee Studies and Feminist Postcolonial Studies frameworks, Daiya traces the cultural, affective, and political legacies of Partition migrations.</p><p>The precarity generated by modern migration and expressed through public culture prompts a rethinking of how dominant media represents gendered migrants and refugees. <em>Graphic Migrations</em> demands that we redraw the boundaries of how we tell the story of modern world history and the intricately interwoven, intimate production of statelessness and citizenship across the worlds communities.</p>...9781439920268_Temple University Presslibro_electonico_dab7f515-4312-33bc-a8b8-184ad19ddd69_9781439920268;9781439920268_9781439920268Kavita DaiyaInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/templeup-epub-0d728788-82ff-4b99-ba3b-17e71ebba23f.epub2020-10-23T00:00:00+00:00Temple University Press