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6696521Heartbeat Arthttps://www.gandhi.com.mx/heartbeat-art-9780262382618/phttps://gandhi.vtexassets.com/arquivos/ids/6227606/image.jpg?v=638767667442000000557774MXNMIT PressInStock/Ebooks/<p><strong>An innovative history of heartbeats, pulse, and technoscience in the works of a wide international array of artists and composers.</strong></p><p><em>Heartbeat Art</em> is the first study of how artists have engaged with heartbeats from the 1960s to the present, creating sophisticated and technological works that project in unique ways the circulatory processes of the body beyond its physical limits. Drawing on a long history of scientific and artistic experimentation, Claudia Arozqueta offers detailed case studies of heartbeat works by a wide range of international artists working at the interconnections of our bodies, art, and science and technology, including Yoko Ono, Pauline Oliveros, Heinz Mack, Brian ODoherty, Teresa Burga, and many others.</p><p>Technoscientific advances in monitoring heartbeats and pulses in the nineteenth centurysuch as René Laennecs stethoscope, Étienne-Jules Mareys sphygmograph and chronophotograph, and Willem Einthovens electrocardiographtransformed the movements of the heart into audible and visual representations. Artists saw in the language of these scientific technologies a way of mingling the inner with the outer, the physical with the technological, and data with flesh. Using archival research, interviews, and correspondence, Arozqueta describes significant works in detail, discusses their contexts and development, and examines the larger classes and contours of this neglected area of artistic activity. Other artists in the volume include Éliane Radigue, Jean Dupuy, Linda Montano, Catherine Richards, Diana Domingues, Mona Hatoum, Rafael Lozano-Hemmer, and Christian Boltanski.</p>...6379262Heartbeat Art557774https://www.gandhi.com.mx/heartbeat-art-9780262382618/phttps://gandhi.vtexassets.com/arquivos/ids/6227606/image.jpg?v=638767667442000000InStockMXN99999DIEbook20259780262382618_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9780262382618_<p><strong>An innovative history of heartbeats, pulse, and technoscience in the works of a wide international array of artists and composers.</strong></p><p><em>Heartbeat Art</em> is the first study of how artists have engaged with heartbeats from the 1960s to the present, creating sophisticated and technological works that project in unique ways the circulatory processes of the body beyond its physical limits. Drawing on a long history of scientific and artistic experimentation, Claudia Arozqueta offers detailed case studies of heartbeat works by a wide range of international artists working at the interconnections of our bodies, art, and science and technology, including Yoko Ono, Pauline Oliveros, Heinz Mark, Brian ODoherty, Teresa Burga, and many others.</p><p>Technoscientific advances in monitoring heartbeats and pulses in the nineteenth centurysuch as René Laennecs stethoscope, Étienne-Jules Mareys sphygmograph and chronophotograph, and Willem Einthovens electrocardiographtransformed the movements of the heart into audible and visual representations. Artists saw in the language of these scientific technologies a way of mingling the inner with the outer, the physical with the technological, and data with flesh. Using archival research, interviews, and correspondence, Arozqueta describes significant works in detail, discusses their contexts and development, and examines the larger classes and contours of this neglected area of artistic activity. Other artists in the volume include Éliane Radigue, Jean Dupuy, Linda Montano, Catherine Richards, Diana Domingues, Mona Hatoum, Rafael Lozano-Hemmer, and Christian Boltanski.</p>...(*_*)9780262382618_<p><strong>An innovative history of heartbeats, pulse, and technoscience in the works of a wide international array of artists and composers.</strong></p><p><em>Heartbeat Art</em> is the first study of how artists have engaged with heartbeats from the 1960s to the present, creating sophisticated and technological works that project in unique ways the circulatory processes of the body beyond its physical limits. Drawing on a long history of scientific and artistic experimentation, Claudia Arozqueta offers detailed case studies of heartbeat works by a wide range of international artists working at the interconnections of our bodies, art, and science and technology, including Yoko Ono, Pauline Oliveros, Heinz Mack, Brian ODoherty, Teresa Burga, and many others. Technoscientific advances in monitoring heartbeats and pulses in the nineteenth centurysuch as René Laennecs stethoscope, Étienne-Jules Mareys sphygmograph and chronophotograph, and Willem Einthovens electrocardiographtransformed the movements of the heart into audible and visual representations. Artists saw in the language of these scientific technologies a way of mingling the inner with the outer, the physical with the technological, and data with flesh. Using archival research, interviews, and correspondence, Arozqueta describes significant works in detail, discusses their contexts and development, and examines the larger classes and contours of this neglected area of artistic activity. Other artists in the volume include Éliane Radigue, Jean Dupuy, Linda Montano, Catherine Richards, Diana Domingues, Mona Hatoum, Rafael Lozano-Hemmer, and Christian Boltanski.</p>...(*_*)9780262382618_<p><strong>An innovative history of heartbeats, pulse, and technoscience in the works of a wide international array of artists and composers.</strong></p><p><em>Heartbeat Art</em> is the first study of how artists have engaged with heartbeats from the 1960s to the present, creating sophisticated and technological works that project in unique ways the circulatory processes of the body beyond its physical limits. Drawing on a long history of scientific and artistic experimentation, Claudia Arozqueta offers detailed case studies of heartbeat works by a wide range of international artists working at the interconnections of our bodies, art, and science and technology, including Yoko Ono, Pauline Oliveros, Heinz Mack, Brian ODoherty, Teresa Burga, and many others.</p><p>Technoscientific advances in monitoring heartbeats and pulses in the nineteenth centurysuch as René Laennecs stethoscope, Étienne-Jules Mareys sphygmograph and chronophotograph, and Willem Einthovens electrocardiographtransformed the movements of the heart into audible and visual representations. Artists saw in the language of these scientific technologies a way of mingling the inner with the outer, the physical with the technological, and data with flesh. Using archival research, interviews, and correspondence, Arozqueta describes significant works in detail, discusses their contexts and development, and examines the larger classes and contours of this neglected area of artistic activity. Other artists in the volume include Éliane Radigue, Jean Dupuy, Linda Montano, Catherine Richards, Diana Domingues, Mona Hatoum, Rafael Lozano-Hemmer, and Christian Boltanski.</p>...9780262382618_MIT Presslibro_electonico_9780262382618_9780262382618Claudia ArozquetaInglésMéxico2025-05-27T00:00:00+00:00https://getbook.kobo.com/koboid-prod-public/randomhousewh-epub-cce42069-0473-40a7-97e4-4bf3b2078c63.epub2025-05-27T00:00:00+00:00MIT Press