product
3618608I Have the Right to Destroy Myselfhttps://www.gandhi.com.mx/i-have-the-right-to-destroy-myself-9780547540535/phttps://gandhi.vtexassets.com/arquivos/ids/2744267/63d2203f-cb39-47f6-a829-99144d2e12bf.jpg?v=638384394142300000174200MXNHoughton Mifflin HarcourtInStock/Ebooks/<p><strong>A mesmerizing novel of a love triangle and a mysterious disappearance in South Korea (<em>Booklist</em>).</strong></p><p>In the fast-paced, high-urban landscape of Seoul, C and K are brothers who have fallen in love with the same beguiling drifter, Se-yeon, who gives herself freely to both of them. Then, just as they are trying desperately to forge a connection in an alienated world, Se-yeon suddenly disappears. All the while, a spectral, calculating narrator haunts the edges of their lives, working to help the lost and hurting find escape through suicide. When Se-yeon reemerges, it is as the narrators new client.<br />Recalling the emotional tension of Milan Kundera and the existential anguish of Bret Easton Ellis, <em>I Have the Right to Destroy Myself</em> is a dreamlike literary exploration of truth, death, desire and identity (<em>Publishers Weekly</em>). Cinematic in its urgency, the novel offers an atmosphere of menacing ennui [set] to a soundtrack of Leonard Cohen tunes (<em>Newark Star-Ledger</em>).</p><p>Kims novel is art built upon art. His style is reminiscent of Kafkas and also relies on images of paintings (Jacques-Louis Davids The Death of Marat, Gustav Klimts Judith) and film (Jim Jarmuschs Stranger Than Paradise). The philosophylife is worthless and smallreminds us of Camus and Sartre, risky territory for a young writer. . . . But Kim has the advantage of the urban South Korean landscape. Fast cars, sex with lollipops and weather fronts from Siberia lend a unique flavor to good old-fashioned nihilism. Think of it as Korean noir. <em>Los Angeles Times</em></p><p>Like Georges Simenon, [Kims] keen engagement with human perversity yields an abundance of thrills as well as chills (and, for good measure, a couple of memorable laughs). This is a real find. Han Ong, author of <em>Fixer Chao</em></p>...3555144I Have the Right to Destroy Myself174200https://www.gandhi.com.mx/i-have-the-right-to-destroy-myself-9780547540535/phttps://gandhi.vtexassets.com/arquivos/ids/2744267/63d2203f-cb39-47f6-a829-99144d2e12bf.jpg?v=638384394142300000InStockMXN99999DIEbook20079780547540535_W3siaWQiOiIwMzlkOGNiZS02MTlmLTRkNTMtOWRjOC05MzUyMWU1ZTRhMTAiLCJsaXN0UHJpY2UiOjIwMCwiZGlzY291bnQiOjI2LCJzZWxsaW5nUHJpY2UiOjE3NCwiaW5jbHVkZXNUYXgiOnRydWUsInByaWNlVHlwZSI6Ildob2xlc2FsZSIsImN1cnJlbmN5IjoiTVhOIiwiZnJvbSI6IjIwMjQtMDQtMjRUMDQ6MDA6MDBaIiwicmVnaW9uIjoiTVgiLCJpc1ByZW9yZGVyIjpmYWxzZX1d;9780547540535_W3siaWQiOiIwMzlkOGNiZS02MTlmLTRkNTMtOWRjOC05MzUyMWU1ZTRhMTAiLCJsaXN0UHJpY2UiOjIwMCwiZGlzY291bnQiOjI2LCJzZWxsaW5nUHJpY2UiOjE3NCwiaW5jbHVkZXNUYXgiOnRydWUsInByaWNlVHlwZSI6Ildob2xlc2FsZSIsImN1cnJlbmN5IjoiTVhOIiwiZnJvbSI6IjIwMjQtMDQtMjRUMDQ6MDA6MDBaIiwicmVnaW9uIjoiTVgiLCJpc1ByZW9yZGVyIjpmYWxzZX1d9780547540535_<p><strong>A mesmerizing novel of a love triangle and a mysterious disappearance in South Korea (<em>Booklist</em>).</strong></p><p>In the fast-paced, high-urban landscape of Seoul, C and K are brothers who have fallen in love with the same beguiling drifter, Se-yeon, who gives herself freely to both of them. Then, just as they are trying desperately to forge a connection in an alienated world, Se-yeon suddenly disappears. All the while, a spectral, calculating narrator haunts the edges of their lives, working to help the lost and hurting find escape through suicide. When Se-yeon reemerges, it is as the narrators new client.<br />Recalling the emotional tension of Milan Kundera and the existential anguish of Bret Easton Ellis, <em>I Have the Right to Destroy Myself</em> is a dreamlike literary exploration of truth, death, desire and identity (<em>Publishers Weekly</em>). Cinematic in its urgency, the novel offers an atmosphere of menacing ennui set to a soundtrack of Leonard Cohen tunes (<em>Newark Star-Ledger</em>).</p><p>Kims novel is art built upon art. His style is reminiscent of Kafkas and also relies on images of paintings (Jacques-Louis Davids The Death of Marat, Gustav Klimts Judith) and film (Jim Jarmuschs Stranger Than Paradise). The philosophylife is worthless and smallreminds us of Camus and Sartre, risky territory for a young writer. . . . But Kim has the advantage of the urban South Korean landscape. Fast cars, sex with lollipops and weather fronts from Siberia lend a unique flavor to good old-fashioned nihilism. Think of it as Korean noir. <em>Los Angeles Times</em></p><p>Like Georges Simenon, Kims keen engagement with human perversity yields an abundance of thrills as well as chills (and, for good measure, a couple of memorable laughs). This is a real find. Han Ong, author of <em>Fixer Chao</em></p>...(*_*)9780547540535_<p><strong>A mesmerizing novel of a love triangle and a mysterious disappearance in South Korea (<em>Booklist</em>).</strong></p><p>In the fast-paced, high-urban landscape of Seoul, C and K are brothers who have fallen in love with the same beguiling drifter, Se-yeon, who gives herself freely to both of them. Then, just as they are trying desperately to forge a connection in an alienated world, Se-yeon suddenly disappears. All the while, a spectral, calculating narrator haunts the edges of their lives, working to help the lost and hurting find escape through suicide. When Se-yeon reemerges, it is as the narrators new client.<br />Recalling the emotional tension of Milan Kundera and the existential anguish of Bret Easton Ellis, <em>I Have the Right to Destroy Myself</em> is a dreamlike literary exploration of truth, death, desire and identity (<em>Publishers Weekly</em>). Cinematic in its urgency, the novel offers an atmosphere of menacing ennui [set] to a soundtrack of Leonard Cohen tunes (<em>Newark Star-Ledger</em>).</p><p>Kims novel is art built upon art. His style is reminiscent of Kafkas and also relies on images of paintings (Jacques-Louis Davids The Death of Marat, Gustav Klimts Judith) and film (Jim Jarmuschs Stranger Than Paradise). The philosophylife is worthless and smallreminds us of Camus and Sartre, risky territory for a young writer. . . . But Kim has the advantage of the urban South Korean landscape. Fast cars, sex with lollipops and weather fronts from Siberia lend a unique flavor to good old-fashioned nihilism. Think of it as Korean noir. <em>Los Angeles Times</em></p><p>Like Georges Simenon, [Kims] keen engagement with human perversity yields an abundance of thrills as well as chills (and, for good measure, a couple of memorable laughs). This is a real find. Han Ong, author of <em>Fixer Chao</em></p>...9780547540535_Houghton Mifflin Harcourtlibro_electonico_a9188cad-bc5b-3180-8fd1-54a68440d608_9780547540535;9780547540535_9780547540535Young-ha KimInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/openroadmedia-epub-28257cfc-38a1-45e2-ba20-deae6dd6bae0.epub2007-07-02T00:00:00+00:00Houghton Mifflin Harcourt