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Urszula Kizelbach
(Im)politeness in McEwans Fiction
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1193800(Im)politeness in McEwans Fictionhttps://www.gandhi.com.mx/im-politeness-in-mcewans-fiction/phttps://gandhi.vtexassets.com/arquivos/ids/829842/890021b2-a60f-4854-ad4c-ba37fcf947d0.jpg?v=63833639245287000023102566MXNSpringer International PublishingInStock/Ebooks/<p>This book is a pragma-stylistic study of Ian McEwans fiction, providing a qualitative analysis of his selected novels using (im)politeness theory. (Im)politeness is investigated on two levels of analysis: the level of the plot and the story world (intradiegetic level) and the level of the communication between the implied author and implied reader in fiction (extradiegetic level). The pragmatic theory of (im)politeness serves the aim of internal characterisation and helps readers to better understand and explain the characters motivations and actions, based on the stylistic analysis of their speech and thoughts and point of view. More importantly, the book introduces the notion of the impoliteness of the literary fiction a state of affairs where the implied author (or narrator) expresses their impolite beliefs to the reader through the text, which has face-threatening consequences for the audience, e.g. moral shock or disgust, dissociation from the protagonist, feeling hurt orput out. Extradiegetic impoliteness, one of the key characteristics of McEwans fiction, offers an alternative to the literary concept of a secret communion of the author and reader (Booth 1961), describing an ideal connection, or good rapport, between these two participants of fictional communication. This book aims to unite literary scholars and linguists in the debate on the benefits of combining pragmatics and stylistics in literary analysis, and it will be of interest to a wide audience in both fields.</p>...1185456(Im)politeness in McEwans Fiction23102566https://www.gandhi.com.mx/im-politeness-in-mcewans-fiction/phttps://gandhi.vtexassets.com/arquivos/ids/829842/890021b2-a60f-4854-ad4c-ba37fcf947d0.jpg?v=638336392452870000InStockMXN99999DIEbook20239783031186905_W3siaWQiOiIzNmY2YmVlZS03ZjM5LTRjYWUtYTI5Mi0wOWJiMTFiNTBjYzkiLCJsaXN0UHJpY2UiOjI1OTAsImRpc2NvdW50IjoyNTksInNlbGxpbmdQcmljZSI6MjMzMSwiaW5jbHVkZXNUYXgiOnRydWUsInByaWNlVHlwZSI6Ildob2xlc2FsZSIsImN1cnJlbmN5IjoiTVhOIiwiZnJvbSI6IjIwMjQtMTItMjBUMTA6MDA6MDBaIiwicmVnaW9uIjoiTVgiLCJpc1ByZW9yZGVyIjpmYWxzZX1d9783031186905_<p>This book is a pragma-stylistic study of Ian McEwans fiction, providing a qualitative analysis of his selected novels using (im)politeness theory. (Im)politeness is investigated on two levels of analysis: the level of the plot and the story world (intradiegetic level) and the level of the communication between the implied author and implied reader in fiction (extradiegetic level). The pragmatic theory of (im)politeness serves the aim of internal characterisation and helps readers to better understand and explain the characters motivations and actions, based on the stylistic analysis of their speech and thoughts and point of view. More importantly, the book introduces the notion of the impoliteness of the literary fiction a state of affairs where the implied author (or narrator) expresses their impolite beliefs to the reader through the text, which has face-threatening consequences for the audience, e.g. moral shock or disgust, dissociation from the protagonist, feeling hurt or put out. Extradiegetic impoliteness, one of the key characteristics of McEwans fiction, offers an alternative to the literary concept of a secret communion of the author and reader (Booth 1961), describing an ideal connection, or good rapport, between these two participants of fictional communication. This book aims to unite literary scholars and linguists in the debate on the benefits of combining pragmatics and stylistics in literary analysis, and it will be of interest to a wide audience in both fields.</p>...(*_*)9783031186905_<p>This book is a pragma-stylistic study of Ian McEwans fiction, providing a qualitative analysis of his selected novels using (im)politeness theory. (Im)politeness is investigated on two levels of analysis: the level of the plot and the story world (intradiegetic level) and the level of the communication between the implied author and implied reader in fiction (extradiegetic level). The pragmatic theory of (im)politeness serves the aim of internal characterisation and helps readers to better understand and explain the characters motivations and actions, based on the stylistic analysis of their speech and thoughts and point of view. More importantly, the book introduces the notion of the impoliteness of the literary fiction a state of affairs where the implied author (or narrator) expresses their impolite beliefs to the reader through the text, which has face-threatening consequences for the audience, e.g. moral shock or disgust, dissociation from the protagonist, feeling hurt orput out. Extradiegetic impoliteness, one of the key characteristics of McEwans fiction, offers an alternative to the literary concept of a secret communion of the author and reader (Booth 1961), describing an ideal connection, or good rapport, between these two participants of fictional communication. This book aims to unite literary scholars and linguists in the debate on the benefits of combining pragmatics and stylistics in literary analysis, and it will be of interest to a wide audience in both fields.</p>...9783031186905_Springer International Publishinglibro_electonico_7012dfe8-c55e-3c10-9e35-e1ee5a76aa09_9783031186905;9783031186905_9783031186905Urszula KizelbachInglésMéxico2023-02-22T00:00:00+00:00Springer International Publishing