Impro

Name: Impro
Brand: Bloomsbury Publishing
SKU: 03262304

Cargando comentarios…

$496

$471

Envío gratis siempre

Comentarios

Cargando el resumen…

Por favor, inicia sesión para escribir un comentario.

Cargando comentarios…

3326308Improhttps://www.gandhi.com.mx/impro-9781350069046/phttps://gandhi.vtexassets.com/arquivos/ids/2356995/318a34e7-3986-4bb6-95cb-68633c73da70.jpg?v=638383864961970000471496MXNBloomsbury PublishingInStock/Ebooks/In this landmark work Keith Johnstone provides a revelatory guide to rediscovering and unlocking the imagination. Admired for its clarity and zest, Impro lays bare the techniques and exercises used to foster spontaneity and narrative skill for actors. These techniques and exercises were evolved in the actors studio, when he was Associate Director of the Royal Court and then in demonstrations to schools and colleges and ultimately in the founding of a company of performers called The Theatre Machine.Divided into four sections, Status, Spontaneity, Narrative Skills and Masks and Trance, arranged more or less in the order a group might approach them, the book sets out the specific approaches which Johnstone has himself found most useful and most stimulating. The result is a fascinating exploration of the nature of spontaneous creativity.If teachers were honoured in the British theatre along-side directors, designers and playwrights, Keith Johnstone would be as familiar a name as are those of . . . Jocelyn Herbert, Edward Bond and other young talents who were drawn to the great lodestone of the Royal Court Theatre in the late 1950s. As head of the script department, Johnstone played a crucial part in the development of the writers theatre. Irving Wardle...3262304Impro471496https://www.gandhi.com.mx/impro-9781350069046/phttps://gandhi.vtexassets.com/arquivos/ids/2356995/318a34e7-3986-4bb6-95cb-68633c73da70.jpg?v=638383864961970000InStockMXN99999DIEbook20189781350069046_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_In this landmark work Keith Johnstone provides a revelatory guide to rediscovering and unlocking the imagination. Admired for its clarity and zest, Impro lays bare the techniques and exercises used to foster spontaneity and narrative skill for actors. These techniques and exercises were evolved in the actors studio, when he was Associate Director of the Royal Court and then in demonstrations to schools and colleges and ultimately in the founding of a company of performers called The Theatre Machine.Divided into four sections, Status, Spontaneity, Narrative Skills and Masks and Trance, arranged more or less in the order a group might approach them, the book sets out the specific approaches which Johnstone has himself found most useful and most stimulating. The result is a fascinating exploration of the nature of spontaneous creativity.If teachers were honoured in the British theatre along-side directors, designers and playwrights, Keith Johnstone would be as familiar a name as are those of . . . Jocelyn Herbert, Edward Bond and other young talents who were drawn to the great lodestone of the Royal Court Theatre in the late 1950s. As head of the script department, Johnstone played a crucial part in the development of the writers theatre. Irving Wardle(*_*)9781350069046_In this landmark work Keith Johnstone provides a revelatory guide to rediscovering and unlocking the imagination. Admired for its clarity and zest, Impro lays bare the techniques and exercises used to foster spontaneity and narrative skill for actors. These techniques and exercises were evolved in the actors studio, when he was Associate Director of the Royal Court and then in demonstrations to schools and colleges and ultimately in the founding of a company of performers called The Theatre Machine.Divided into four sections, Status, Spontaneity, Narrative Skills and Masks and Trance, arranged more or less in the order a group might approach them, the book sets out the specific approaches which Johnstone has himself found most useful and most stimulating. The result is a fascinating exploration of the nature of spontaneous creativity.If teachers were honoured in the British theatre along-side directors, designers and playwrights, Keith Johnstone would be as familiar a name as are those of . . . Jocelyn Herbert, Edward Bond and other young talents who were drawn to the great lodestone of the Royal Court Theatre in the late 1950s. As head of the script department, Johnstone played a crucial part in the development of the writers theatre. Irving Wardle...9781350069046_Bloomsbury Publishinglibro_electonico_e00c09b4-b77f-327c-bc39-a7a9d706e164_9781350069046;9781350069046_9781350069046Mr KeithInglésMéxico2018-10-18T00:00:00+00:00Bloomsbury Publishing