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1535068Ingmar Bergman at the Crossroadshttps://www.gandhi.com.mx/ingmar-bergman-at-the-crossroads/phttps://gandhi.vtexassets.com/arquivos/ids/1448497/fa533114-b943-4966-8213-1d19232da91c.jpg?v=638338136933570000https://gandhi.vtexassets.com/arquivos/ids/1445760/fa533114-b943-4966-8213-1d19232da91c.jpg?v=638338133018270000633703MXNBloomsbury PublishingInStock/Ebooks/<p><strong>This collection offers new and insightful perspectives on Ingmar Bergmans work as a film and theatre director as well as writer of fiction.</strong></p><p>Ingmar Bergmans rich legacy as a film director and writer of classics such as <em>The Seventh Seal</em>, <em>Scenes From a Marriage,</em> and <em>Fanny and Alexander</em> has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more. Less known, however, is Bergman from the perspective of production studies, including all the choices, practices, and routines involved in what goes on behind the scenes. For instance, what about Bergmans collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set? What about Bergman and <em>MeToo</em>?</p><p>In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus are brought together with academics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis to discuss Bergmans work from their unique perspectives. In addition, <em>Ingmar Bergman at the Crossroads</em> provides, for the first time, in-depth interviews with Bergmans longtime collaborators Katinka Faragó and Mns Reuterswrd, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than 5 decades. In an open exchange between individual and institutional perspectives, this book bridges the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergmans studies in new directions.</p>...1516109Ingmar Bergman at the Crossroads633703https://www.gandhi.com.mx/ingmar-bergman-at-the-crossroads/phttps://gandhi.vtexassets.com/arquivos/ids/1448497/fa533114-b943-4966-8213-1d19232da91c.jpg?v=638338136933570000https://gandhi.vtexassets.com/arquivos/ids/1445760/fa533114-b943-4966-8213-1d19232da91c.jpg?v=638338133018270000InStockMXN99999DIEbook20229781501389627_W3siaWQiOiI2NGUwMTYxZi0xYzlhLTQ0MGUtOWM0NC1jYmI5NGEwMDA3MjgiLCJsaXN0UHJpY2UiOjY2NywiZGlzY291bnQiOjY3LCJzZWxsaW5nUHJpY2UiOjYwMCwiaW5jbHVkZXNUYXgiOnRydWUsInByaWNlVHlwZSI6Ildob2xlc2FsZSIsImN1cnJlbmN5IjoiTVhOIiwiZnJvbSI6IjIwMjQtMTEtMThUMjA6MDA6MDBaIiwidG8iOiIyMDI0LTExLTMwVDIzOjU5OjU5WiIsInJlZ2lvbiI6Ik1YIiwiaXNQcmVvcmRlciI6ZmFsc2V9LHsiaWQiOiIyYWM2ZWIwMy1kMzIxLTRhM2EtOWVlNy03ZWZiNjAyMmEyZDgiLCJsaXN0UHJpY2UiOjcwNywiZGlzY291bnQiOjcwLCJzZWxsaW5nUHJpY2UiOjYzNywiaW5jbHVkZXNUYXgiOnRydWUsInByaWNlVHlwZSI6Ildob2xlc2FsZSIsImN1cnJlbmN5IjoiTVhOIiwiZnJvbSI6IjIwMjQtMTItMDFUMDA6MDA6MDBaIiwicmVnaW9uIjoiTVgiLCJpc1ByZW9yZGVyIjpmYWxzZX1d9781501389627_<p>Ingmar Bergmans rich legacy as film director and writer of classics such as <em>The Seventh Seal</em>, <em>Scenes From a Marriage,</em> and <em>Fanny and Alexander</em> has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more. Less known, however, is Bergman from the perspective of production studies, including all the choices, practices, and routines involved in what goes on behind the scenes. For instance, what about Bergmans collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set. What about Bergman and <em>MeToo</em>?</p><p>In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus are brought together with academics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis to discuss Bergmans work from their unique perspectives. In addition, <em>Ingmar Bergman at the Crossroads</em> provides, for the first time, in-depth interviews with Bergmans longtime collaborators Katinka Faragó and Mns Reuterswrd, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than 5 decades. In an open exchange between individual and institutional perspectives, this book bridges the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergman studies in new directions.</p>...(*_*)9781501389627_<p><strong>This collection offers new and insightful perspectives on Ingmar Bergmans work as a film and theatre director as well as writer of fiction.</strong></p><p>Ingmar Bergmans rich legacy as a film director and writer of classics such as <em>The Seventh Seal</em>, <em>Scenes From a Marriage,</em> and <em>Fanny and Alexander</em> has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more. Less known, however, is Bergman from the perspective of production studies, including all the choices, practices, and routines involved in what goes on behind the scenes. For instance, what about Bergmans collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set? What about Bergman and <em>MeToo</em>?</p><p>In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus are brought together with academics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis to discuss Bergmans work from their unique perspectives. In addition, <em>Ingmar Bergman at the Crossroads</em> provides, for the first time, in-depth interviews with Bergmans longtime collaborators Katinka Faragó and Mns Reuterswrd, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than 5 decades. In an open exchange between individual and institutional perspectives, this book bridges the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergmans studies in new directions.</p>...9781501389627_Bloomsbury Publishinglibro_electonico_73c7ba10-7447-3711-9853-baec3dfc00a2_9781501389627;9781501389627_9781501389627InglésMéxico2022-11-17T00:00:00+00:00Bloomsbury Publishing