Inkface

Name: Inkface
Brand: University of Virginia Press
SKU: 04291820

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4359689Inkfacehttps://www.gandhi.com.mx/inkface-9780813950389/phttps://gandhi.vtexassets.com/arquivos/ids/4033590/image.jpg?v=638417181093200000610677MXNUniversity of Virginia PressInStock/Ebooks/In Inkface, Miles P. Grier traces productions of Shakespeares Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era of booming print production, popular urban theater, and increasing rates of literacy, the metaphor of Black skin as a readable, transferable ink became essential to a fraternity of literate white men who, by treating an elastic category of marked people as reading material, were able to assert authority over interpretation and, by extension, over the state, the family, and commerce. Inkface examines that fraternitys reading of the world as well as the ways in which those excluded attempted to counteract it....4291820Inkface610677https://www.gandhi.com.mx/inkface-9780813950389/phttps://gandhi.vtexassets.com/arquivos/ids/4033590/image.jpg?v=638417181093200000InStockMXN99999DIEbook20239780813950389_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_In Inkface, Miles P. Grier traces productions of Shakespeares Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era of booming print production, popular urban theater, and increasing rates of literacy, the metaphor of Black skin as a readable, transferable ink became essential to a fraternity of literate white men who, by treating an elastic category of marked people as reading material, were able to assert authority over interpretation and, by extension, over the state, the family, and commerce. Inkface examines that fraternitys reading of the world as well as the ways in which those excluded attempted to counteract it....9780813950389_University of Virginia Presslibro_electonico_9780813950389_9780813950389Miles P.InglésMéxicohttps://getbook.kobo.com/koboid-prod-public/ingram30-epub-119ea182-0646-49cb-9fe4-f26fc2f50e46.epub2023-12-28T00:00:00+00:00University of Virginia Press