Japanese Cinema and Punk

Name: Japanese Cinema and Punk
Brand: Bloomsbury Publishing
SKU: 07037795

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7406482Japanese Cinema and Punkhttps://www.gandhi.com.mx/japanese-cinema-and-punk-9781350378575/phttps://gandhi.vtexassets.com/arquivos/ids/6997870/image.jpg?v=63878047444927000018032003MXNBloomsbury PublishingInStock/Ebooks/In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japans film industry.Drawing on rare materials and first-hand interviews with key figures from the jishu eiga (self-made film) tradition, including Ishii Gakuryu (formerly Ishii Sogo), Yamamoto Masashi, Tsukamoto Shinya, and Fukui Shozin, Player explores how punks bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by rock music, graffiti art, street performance, handmade animation, television, and other mass media.By considering the practical, phenomenological, and political ramifications of combining diverse media elements, Player offers in-depth analyses of films such as Burst City (1982), Robinsons Garden (1987), Tetsuo: The Iron Man (1989), and more. He further traces the changing sociocultural position of Japans punk generation throughout the 1980s-from its euphoric early-80s peak to the growing disillusionment caused by its mainstream co-optation and convergence....7037795Japanese Cinema and Punk18032003https://www.gandhi.com.mx/japanese-cinema-and-punk-9781350378575/phttps://gandhi.vtexassets.com/arquivos/ids/6997870/image.jpg?v=638780474449270000InStockMXN99999DIEbook20259781350378575_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_In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japans film industry.Drawing on rare materials and first-hand interviews with key figures from the jishu eiga (self-made film) tradition, including Ishii Gakuryu (formerly Ishii Sogo), Yamamoto Masashi, Tsukamoto Shinya, and Fukui Shozin, Player explores how punks bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by rock music, graffiti art, street performance, handmade animation, television, and other mass media.By considering the practical, phenomenological, and political ramifications of combining diverse media elements, Player offers in-depth analyses of films such as Burst City (1982), Robinsons Garden (1987), Tetsuo: The Iron Man (1989), and more. He further traces the changing sociocultural position of Japans punk generation throughout the 1980s-from its euphoric early-80s peak to the growing disillusionment caused by its mainstream co-optation and convergence....9781350378575_Bloomsbury Publishinglibro_electonico_9781350378575_9781350378575Mark PlayerInglésMéxico2025-05-15T00:00:00+00:002025-05-15T00:00:00+00:00Bloomsbury Publishing