9791222003184_

In the astonishing story, animals, birds, and inanimate objects are shown acting unbelievably, which leaves the readers astonished. It is a world of fantasy, beyond reality.
Readers and listeners generally come to the story in search of entertainment. They know very well that all the characters and events in the composition are fictional; they have no close relation to reality. Now it is up to the writer or anecdote to fulfill the desire of the readers for entertainment and give something other than entertainment to his audience and readers, based on which his literary work can be achieved. Readers and listeners also expect to get something from it other than entertainment.
Tales of fairies, animals, birds, and witchcraft fall into this category. The word fairy has a historical-cultural context. The meaning and characterization of fairy have changed over time. The form of this word is found in the early texts, but the context changes completely in later texts. The roots of the word fairy are so deep in the culture of Persia that only on this subject an independent book can be composed.
The first mention of the word fairy in any literary work appears in the Shahnama of Firdausi. Firdausi not only uses this word but also presents the readers with a new character by cutting fairy from its historical context. With his original imagination, he even changes the context of this story. As a result, a positive attitude towards the fairies appears to have formed. Fairy tales at their core assure the victory of good amid the struggle between good and evil, which has been later embellished by poets, storytellers, and historians in their respective talents. The presence of a demon in fairy tales is not as important as the belief that it can be defeated.
An adventurous collection of interesting fairy tales.

...(*_*)9791222003184_

In the astonishing story, animals, birds, and inanimate objects are shown acting unbelievably, which leaves the readers astonished. It is a world of fantasy, beyond reality.
Readers and listeners generally come to the story in search of entertainment. They know very well that all the characters and events in the composition are fictional; they have no close relation to reality. Now it is up to the writer or anecdote to fulfill the desire of the readers for entertainment and give something other than entertainment to his audience and readers, based on which his literary work can be achieved. Readers and listeners also expect to get something from it other than entertainment.
Tales of fairies, animals, birds, and witchcraft fall into this category. The word "fairy" has a historical-cultural context. The meaning and characterization of "fairy" have changed over time. The form of this word is found in the early texts, but the context changes completely in later texts. The roots of the word "fairy" are so deep in the culture of Persia that only on this subject an independent book can be composed.
The first mention of the word "fairy" in any literary work appears in the "Shahnama" of Firdausi. Firdausi not only uses this word but also presents the readers with a new character by cutting "fairy" from its historical context. With his original imagination, he even changes the context of this story. As a result, a positive attitude towards the fairies appears to have formed. Fairy tales at their core assure the victory of good amid the struggle between good and evil, which has been later embellished by poets, storytellers, and historians in their respective talents. The presence of a demon in fairy tales is not as important as the belief that it can be defeated.
An adventurous collection of interesting fairy tales.

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