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Eugne Müntz
Michelangelo
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2401489Michelangelohttps://www.gandhi.com.mx/michelangelo-9781781606124/phttps://gandhi.vtexassets.com/arquivos/ids/2083719/0ef4decc-d911-4f48-862e-394417613747.jpg?v=638383486150670000139155MXNParkstone InternationalInStock/Ebooks/<p>Michelangelo, like Leonardo, was a man of many talents; sculptor, architect, painter and poet, he made the apotheosis of muscular movement, which to him was the physical manifestation of passion. He moulded his draughtsmanship, bent it, twisted it, and stretched it to the extreme limits of possibility. There are not any landscapes in Michelangelos painting. All the emotions, all the passions, all the thoughts of humanity were personified in his eyes in the naked bodies of men and women. He rarely conceived his human forms in attitudes of immobility or repose. Michelangelo became a painter so that he could express in a more malleable material what his titanesque soul felt, what his sculptors imagination saw, but what sculpture refused him. Thus this admirable sculptor became the creator, at the Vatican, of the most lyrical and epic decoration ever seen: the Sistine Chapel. The profusion of his invention is spread over this vast area of over 900 square metres. There are 343 principal figures of prodigious variety of expression, many of colossal size, and in addition a great number of subsidiary ones introduced for decorative effect. The creator of this vast scheme was only thirty-four when he began his work. Michelangelo compels us to enlarge our conception of what is beautiful. To the Greeks it was physical perfection; but Michelangelo cared little for physical beauty, except in a few instances, such as his painting of Adam on the Sistine ceiling, and his sculptures of the Piet. Though a master of anatomy and of the laws of composition, he dared to disregard both if it were necessary to express his concept: to exaggerate the muscles of his figures, and even put them in positions the human body could not naturally assume. In his later painting, The Last Judgment on the end wall of the Sistine, he poured out his soul like a torrent. Michelangelo was the first to make the human form express a variety of emotions. In his hands emotion became an instrument upon which he played, extracting themes and harmonies of infinite variety. His figures carry our imagination far beyond the personal meaning of the names attached to them.</p>...2337165Michelangelo139155https://www.gandhi.com.mx/michelangelo-9781781606124/phttps://gandhi.vtexassets.com/arquivos/ids/2083719/0ef4decc-d911-4f48-862e-394417613747.jpg?v=638383486150670000InStockMXN99999DIEbook20119781781606124_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_<p>Michelangelo, like Leonardo, was a man of many talents; sculptor, architect, painter and poet, he made the apotheosis of muscular movement, which to him was the physical manifestation of passion. He moulded his draughtsmanship, bent it, twisted it, and stretched it to the extreme limits of possibility. There are not any landscapes in Michelangelos painting. All the emotions, all the passions, all the thoughts of humanity were personified in his eyes in the naked bodies of men and women. He rarely conceived his human forms in attitudes of immobility or repose. Michelangelo became a painter so that he could express in a more malleable material what his titanesque soul felt, what his sculptors imagination saw, but what sculpture refused him. Thus this admirable sculptor became the creator, at the Vatican, of the most lyrical and epic decoration ever seen: the Sistine Chapel. The profusion of his invention is spread over this vast area of over 900 square metres. There are 343 principal figures of prodigious variety of expression, many of colossal size, and in addition a great number of subsidiary ones introduced for decorative effect. The creator of this vast scheme was only thirty-four when he began his work. Michelangelo compels us to enlarge our conception of what is beautiful. To the Greeks it was physical perfection; but Michelangelo cared little for physical beauty, except in a few instances, such as his painting of Adam on the Sistine ceiling, and his sculptures of the Piet. Though a master of anatomy and of the laws of composition, he dared to disregard both if it were necessary to express his concept: to exaggerate the muscles of his figures, and even put them in positions the human body could not naturally assume. In his later painting, The Last Judgment on the end wall of the Sistine, he poured out his soul like a torrent. Michelangelo was the first to make the human form express a variety of emotions. In his hands emotion became an instrument upon which he played, extracting themes and harmonies of infinite variety. His figures carry our imagination far beyond the personal meaning of the names attached to them.</p>...(*_*)9781781606124_<p>Développé travers lEurope pendant plus de 200 ans, lart gothique est un mouvement qui trouve ses racines dans la puissante architecture des cathédrales du nord de la France. Délaissant la rondeur romane, les architectes commencrent utiliser les arcs-boutants et les votes en berceau brisé pour ouvrir les cathédrales la lumire. Période de bouleversements économiques et sociaux, la période gothique vit aussi le développement dune nouvelle iconographie célébrant la Vierge, lopposé de la thématique terrifiante de lépoque romane. Riche de changements dans tous les domaines (architecture, sculpture, peinture, enluminure, etc.), lart gothique seffaa peu peu face la Renaissance italienne.</p>...9781781606124_Parkstone Internationallibro_electonico_3e7c7933-f5c5-3436-95eb-2ddcdfb16fd8_9781781606124;9781781606124_9781781606124Eugne MüntzInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/sirrocco-epub-fce235f3-9c58-400d-b453-af606e321ef0.epub2011-12-22T00:00:00+00:00Parkstone International