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Subhash Jaireth
Moments
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2991897Momentshttps://www.gandhi.com.mx/moments-9781922186843/phttps://gandhi.vtexassets.com/arquivos/ids/3784282/ec80823d-75f9-4ac1-8abe-47816426133a.jpg?v=638385870022600000147164MXNPuncher & WattmannInStock/Ebooks/<p>When I listen to Bach, I seem to turn into a fish. - Bach (Pau) in Love.</p><p>We forget because we want to live. We forget because we live in hope for a better life. Its this wretched hope that demands that we forget the unforgettable. - The Last Smile of Graf Tolstoy.</p><p>These stories explore the nature of love, loss and memory: central to them is the uneasiness the narrators feel about their place in the world. A critical moment in the life of each narrator illuminates these themes in remarkable ways. For instance, in the story Walter Benjamins Pipe the narrator wants to comprehend that critical moment when Walter Benjamin, the famous Jewish-German philosopher and literary critic, decided to end his life. In the story Bach (Pau) in Love, the famous Catalan cellist Pablo Casals imagines the situation which would have inspired Bach to compose his six suites for cello. In the story Anna and Fyodor in Basel, Anna, Fyodor Dostoevskys wife waits for that moment when Holbeins famous painting about the dead Christ makes its appearance in the novel The Idiot. In The Quartz Hill, a Cantonese photographer looks at the prints of Paddy Bedfords paintings about the Bedford Downs massacre and decides to visit Halls Creek in search for her Gija grandmothers roots.</p>...2927612Moments147164https://www.gandhi.com.mx/moments-9781922186843/phttps://gandhi.vtexassets.com/arquivos/ids/3784282/ec80823d-75f9-4ac1-8abe-47816426133a.jpg?v=638385870022600000InStockMXN99999DIEbook20159781922186843_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_<p>When I listen to Bach, I seem to turn into a fish. - Bach (Pau) in Love.</p><p>We forget because we want to live. We forget because we live in hope for a better life. Its this wretched hope that demands that we forget the unforgettable. - The Last Smile of Graf Tolstoy.</p><p>These stories explore the nature of love, loss and memory: central to them is the uneasiness the narrators feel about their place in the world. A critical moment in the life of each narrator illuminates these themes in remarkable ways. For instance, in the story Walter Benjamins Pipe the narrator wants to comprehend that critical moment when Walter Benjamin, the famous Jewish-German philosopher and literary critic, decided to end his life. In the story Bach (Pau) in Love, the famous Catalan cellist Pablo Casals imagines the situation which would have inspired Bach to compose his six suites for cello. In the story Anna and Fyodor in Basel, Anna, Fyodor Dostoevskys wife waits for that moment when Holbeins famous painting about the dead Christ makes its appearance in the novel The Idiot. In The Quartz Hill, a Cantonese photographer looks at the prints of Paddy Bedfords paintings about the Bedford Downs massacre and decides to visit Halls Creek in search for her Gija grandmothers roots.</p>...9781922186843_Puncher & Wattmannlibro_electonico_9e9df9ad-61d8-3641-8eae-5cf08975e073_9781922186843;9781922186843_9781922186843Subhash JairethInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/ingram40-epub-16144cf7-e827-4e0b-a599-f8aed488063a.epub2015-11-01T00:00:00+00:00Puncher & Wattmann