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Youri Zolotov
Nicolas Poussin
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7481647Nicolas Poussinhttps://www.gandhi.com.mx/nicolas-poussin-9781646994755/phttps://gandhi.vtexassets.com/arquivos/ids/7085111/1273826_IMAGEN_TAPA_G_001.jpg?v=638812548077030000780780MXNParkstone InternationalInStock/Libros/Nicolas Poussin (1594 - 1665) was undoubtedly a highly significant master of the historical genre. He shaped its aesthetics which, regrettably, subsequently became regarded as a set of hard-and-fast rules (a trap which the Russian followers of the founder of classicism also fell into). We know that Poussin attributed prime significance to the actual choice of matter for depiction, giving preference to subjects which provided food for profound thought. Creatively reworking the aesthetic legacy of the Ancients, he introduced into the realm of painting the concept of the modus (mood of depiction), which established the functional unity of three components: the idea, the structure of the depiction, and its perception by the viewer. Composition assumed a predominant significance in his artistic system. In a letter of 1665, Nicolas Poussin put forward three main theses: firstly, painting is simply imitation; secondly, it aims to bring delight; Thirdly, the artist is endowed with a natural talent that no one can give him or deprive him of.7106043Nicolas Poussin780780https://www.gandhi.com.mx/nicolas-poussin-9781646994755/phttps://gandhi.vtexassets.com/arquivos/ids/7085111/1273826_IMAGEN_TAPA_G_001.jpg?v=638812548077030000InStockMXN99999PO_FograTapa blanda1a Edición20189781646994755_Nicolas Poussin (1594 - 1665) was undoubtedly a highly significant master of the historical genre. He shaped its aesthetics which, regrettably, subsequently became regarded as a set of hard-and-fast rules (a trap which the Russian followers of the founder of classicism also fell into). We know that Poussin attributed prime significance to the actual choice of matter for depiction, giving preference to subjects which provided food for profound thought. Creatively reworking the aesthetic legacy of the Ancients, he introduced into the realm of painting the concept of the modus (mood of depiction), which established the functional unity of three components: the idea, the structure of the depiction, and its perception by the viewer. Composition assumed a predominant significance in his artistic system. In a letter of 1665, Nicolas Poussin put forward three main theses: firstly, painting is simply imitation; secondly, it aims to bring delight; Thirdly, the artist is endowed with a natural talent that no one can give him or deprive him of.9781646994755_Parkstone Internationalimpresion_bajo_demanda9781646994755_9781646994755Youri ZolotovInglésMéxico2018-04-11T00:00:00+00:0020021.50000.700021.5000Parkstone International