Envío gratis siempre a todo México.
Haz clic para hacer zoom
Not Available
Sabine Hake
Passions and Deceptions
Cargando comentarios…
Comparte
$1,123
$808
Envío gratis siempre
Comentarios
Cargando el resumen…
Cargando comentarios…
product
2446536Passions and Deceptionshttps://www.gandhi.com.mx/passions-and-deceptions-9780691222059/phttps://gandhi.vtexassets.com/arquivos/ids/3849046/f6e871c0-f17d-47bd-b33c-8d5cb7280389.jpg?v=6383859687059000008081123MXNPrinceton University PressInStock/Ebooks/<p>A collaborator with Warner Brothers and Paramount in the early days of sound film, the German film director Ernst Lubitsch (1892-1947) is famous for his sense of ironic detachment and for the eroticism he infused into such comedies as So This Is Paris and Trouble in Paradise. In a general introduction to his silent and early sound films (1914-1932) and in close readings of his comedies, Sabine Hake focuses on the visual strategies Lubitsch used to convey irony and analyzes his contribution to the rise of classical narrative cinema. Exploring Lubitschs depiction of femininity and the influence of his early German films on his entire career, she argues that his comedies represent an important outlet for dealing with sexual and cultural differences. The readings cover The Oyster Princess, The Doll, The Mountain Cat, Passion, Deception, So This Is Paris, Monte Carlo, and Trouble in Paradise, which are interpreted as part of an underlying process of negotiation between different modes of representation, narration, and spectatorship--a process that comprises the conditions of production in two different national cinemas and the ongoing changes in film technology. Drawing attention to Lubitschs previously neglected German films, this book presents the years until 1922 as the formative period in his career.</p>...2383055Passions and Deceptions8081123https://www.gandhi.com.mx/passions-and-deceptions-9780691222059/phttps://gandhi.vtexassets.com/arquivos/ids/3849046/f6e871c0-f17d-47bd-b33c-8d5cb7280389.jpg?v=638385968705900000InStockMXN99999DIEbook20209780691222059_W3siaWQiOiI5Y2YxZjRiOS1kNjk1LTRjNDYtOWQ0Yi0wZWM2YjZiZGM1YmUiLCJsaXN0UHJpY2UiOjExMjMsImRpc2NvdW50IjozMTUsInNlbGxpbmdQcmljZSI6ODA4LCJpbmNsdWRlc1RheCI6dHJ1ZSwicHJpY2VUeXBlIjoiV2hvbGVzYWxlIiwiY3VycmVuY3kiOiJNWE4iLCJmcm9tIjoiMjAyNS0wNy0wM1QxMzowMDowMFoiLCJyZWdpb24iOiJNWCIsImlzUHJlb3JkZXIiOmZhbHNlfV0=9780691222059_<p>A collaborator with Warner Brothers and Paramount in the early days of sound film, the German film director Ernst Lubitsch (1892-1947) is famous for his sense of ironic detachment and for the eroticism he infused into such comedies as So This Is Paris and Trouble in Paradise. In a general introduction to his silent and early sound films (1914-1932) and in close readings of his comedies, Sabine Hake focuses on the visual strategies Lubitsch used to convey irony and analyzes his contribution to the rise of classical narrative cinema. Exploring Lubitschs depiction of femininity and the influence of his early German films on his entire career, she argues that his comedies represent an important outlet for dealing with sexual and cultural differences. The readings cover The Oyster Princess, The Doll, The Mountain Cat, Passion, Deception, So This Is Paris, Monte Carlo, and Trouble in Paradise, which are interpreted as part of an underlying process of negotiation between different modes of representation, narration, and spectatorship--a process that comprises the conditions of production in two different national cinemas and the ongoing changes in film technology. Drawing attention to Lubitschs previously neglected German films, this book presents the years until 1922 as the formative period in his career.</p>(*_*)9780691222059_<p>A collaborator with Warner Brothers and Paramount in the early days of sound film, the German film director Ernst Lubitsch (1892-1947) is famous for his sense of ironic detachment and for the eroticism he infused into such comedies as So This Is Paris and Trouble in Paradise. In a general introduction to his silent and early sound films (1914-1932) and in close readings of his comedies, Sabine Hake focuses on the visual strategies Lubitsch used to convey irony and analyzes his contribution to the rise of classical narrative cinema. Exploring Lubitschs depiction of femininity and the influence of his early German films on his entire career, she argues that his comedies represent an important outlet for dealing with sexual and cultural differences. The readings cover The Oyster Princess, The Doll, The Mountain Cat, Passion, Deception, So This Is Paris, Monte Carlo, and Trouble in Paradise, which are interpreted as part of an underlying process of negotiation between different modes of representation, narration, and spectatorship--a process that comprises the conditions of production in two different national cinemas and the ongoing changes in film technology. Drawing attention to Lubitschs previously neglected German films, this book presents the years until 1922 as the formative period in his career.</p>...9780691222059_Princeton University Presslibro_electonico_9d6a9c78-2800-337e-807d-6f47154a9a40_9780691222059;9780691222059_9780691222059Sabine HakeInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/princetonup-epub-983ce21b-a8df-4a71-acc4-dd0748c5f1ba.epub2020-12-08T00:00:00+00:00Princeton University Press