Possessions: Indigenous art / colonial culture / decolonization

Name: Possessions: Indigenous art / colonial culture / decolonization
Brand: Thames & Hudson
SKU: 04254600

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4318457Possessions: Indigenous art / colonial culture / decolonizationhttps://www.gandhi.com.mx/possessions--indigenous-art---colonial-culture---decolonization-9780500296592/phttps://gandhi.vtexassets.com/arquivos/ids/4002545/eefd21ffc32c1e7178c79ef724db48dd336d6781_tmp9780500296592.jpg?v=638537622731400000MXNThames & HudsonOutOfStock/Libros/Arte/Arte//Libros/Arte//Libros/A timely reexamination of European engagements with Indigenous art?and the presence of Indigenous art in the contemporary art world. The arts of Africa, Oceania, and Native America famously inspired twentieth-century modernist artists such as Pablo Picasso, Henri Matisse, and Max Ernst. Was this a cross-cultural discovery to be celebrated? Or just one more example of Western colonial appropriation? What might a ?decolonized? art history look like? Over the last half- century, scholarship emerged that gave the arts of Africa, Oceania, and Native America dedicated attention?though often in terms associated with tribal art connoisseurship, without acknowledgment of the colonial contexts of Indigenous art traditions or histories of appropriation and violence, and often stopped short of engaging with Indigenous visions or voices. ?Decolonization? refers to an event, a liberation. In one sense, decolonization has happened: it was the moment of national independence for formerly colonized nations across Africa, Asia, and Oceania. But from another perspective, more prominent in current debate, decolonization is ongoing. What work does art do now, toward decolonization? And how can we, the audience, be active agents in redefining these histories? Possessions, first published in 1999, offered a dynamic and genuinely cross-cultural art history, focused on the encounter, or the confrontation, in Australasia between the visual cultures of European colonization and Indigenous expressions. This new edition of Possessions contributes to today?s debates on diversity and race, giving voice to Indigenous artists and their continued presence in contemporary art today. A new introduction and concluding chapter frame the book in the present day, with recent studies, catalogs, and updated references. 181 illustrations4254600Possessions: Indigenous art / colonial culture / decolonization100799https://www.gandhi.com.mx/possessions--indigenous-art---colonial-culture---decolonization-9780500296592/phttps://gandhi.vtexassets.com/arquivos/ids/4002545/eefd21ffc32c1e7178c79ef724db48dd336d6781_tmp9780500296592.jpg?v=638537622731400000OutOfStockMXN0FITapa dura1a Edición20229780500778012_W3siaWQiOiIyNDlkM2U3MS04ZmNmLTQyZDktYTEwNS0wMDZmZjliNjIzYjIiLCJsaXN0UHJpY2UiOjkxNywiZGlzY291bnQiOjI1Nywic2VsbGluZ1ByaWNlIjo2NjAsImluY2x1ZGVzVGF4Ijp0cnVlLCJwcmljZVR5cGUiOiJXaG9sZXNhbGUiLCJjdXJyZW5jeSI6Ik1YTiIsImZyb20iOiIyMDI0LTA1LTIyVDAwOjAwOjAwWiIsInJlZ2lvbiI6Ik1YIiwiaXNQcmVvcmRlciI6ZmFsc2V9XQ==9780500778012_The arts of Africa, Oceania and native America famously inspired twentieth-century modernist artists such as Picasso, Matisse and Ernst. The politics of such stimulus, however, have long been highly contentious: was this a cross-cultural discovery to be celebrated, or just one more example of Western colonial appropriation?This revelatory book explores cross-cultural art through the lens of settler societies such as Australia and New Zealand, where Europeans made new nations, displacing and outnumbering but never eclipsing native peoples. In this dynamic of dispossession and resistance, visual art has loomed large. Settler artists and designers drew upon Indigenous motifs and styles in their search for distinctive identities. Yet powerful Indigenous art traditions have asserted the presence of First Nations peoples and their claims to place, history and sovereignty. Cultural exchange has been a two-way process, and an unpredictable one: contemporary Indigenous art draws on global contemporary practice, but moves beyond a bland affirmation of hybrid identities to insist on the enduring values and attachment to place of Indigenous peoples....(*_*)9780500296592_A timely reexamination of European engagements with Indigenous art?and the presence of Indigenous art in the contemporary art world. The arts of Africa, Oceania, and Native America famously inspired twentieth-century modernist artists such as Pablo Picasso, Henri Matisse, and Max Ernst. Was this a cross-cultural discovery to be celebrated? Or just one more example of Western colonial appropriation? What might a ?decolonized? art history look like? Over the last half- century, scholarship emerged that gave the arts of Africa, Oceania, and Native America dedicated attention?though often in terms associated with tribal art connoisseurship, without acknowledgment of the colonial contexts of Indigenous art traditions or histories of appropriation and violence, and often stopped short of engaging with Indigenous visions or voices. ?Decolonization? refers to an event, a liberation. In one sense, decolonization has happened: it was the moment of national independence for formerly colonized nations across Africa, Asia, and Oceania. But from another perspective, more prominent in current debate, decolonization is ongoing. What work does art do now, toward decolonization? And how can we, the audience, be active agents in redefining these histories? Possessions, first published in 1999, offered a dynamic and genuinely cross-cultural art history, focused on the encounter, or the confrontation, in Australasia between the visual cultures of European colonization and Indigenous expressions. This new edition of Possessions contributes to today?s debates on diversity and race, giving voice to Indigenous artists and their continued presence in contemporary art today. A new introduction and concluding chapter frame the book in the present day, with recent studies, catalogs, and updated references. 181 illustrations9780500296592_Thames & Hudson(*_*)9780500778012_Thames and Hudson Ltdlibro_electonico_9780500778012_9780500778012;9780500296592_9780500296592Nicholas ThomasInglésReino Unido368Thames & Hudsonhttps://getbook.kobo.com/koboid-prod-public/thames_hudson-epub-cad75f6a-444e-41ac-b1bf-f6544deedb92.epub2022-09-01T00:00:00+00:00