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George Larkin
Post-Production and the Invisible Revolution of Filmmaking
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2529350Post-Production and the Invisible Revolution of Filmmakinghttps://www.gandhi.com.mx/post-production-and-the-invisible-revolution-of-filmmaking-9780429960642/phttps://gandhi.vtexassets.com/arquivos/ids/3346159/b082f9d6-1413-408c-810f-ff518e337a85.jpg?v=63838524216660000011691169MXNTaylor & FrancisInStock/Ebooks/<p>Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period.</p><p>The introduction of post-production during the transition from silent cinema to the synchronized sound era in the 1920s American studio system resulted in what has been a previously unheralded and invisible revolution in filmmaking. Thereafter, a film no longer arose from a live and variable combination of audio and visual in the theater, as occurred during the silent film era, where each exhibition was a singular event. The new system of post-production effectively shifted control of a films final form from the theater to the editing room. With this new process, filmmakers could obtain and manipulate an array of audio elements and manufacture a permanent soundtrack. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form.</p><p>With detailed research and analysis and nearly 50 illustrations, this book is the ideal resource for students and researchers of film history and post-production.</p>...2465439Post-Production and the Invisible Revolution of Filmmaking11691169https://www.gandhi.com.mx/post-production-and-the-invisible-revolution-of-filmmaking-9780429960642/phttps://gandhi.vtexassets.com/arquivos/ids/3346159/b082f9d6-1413-408c-810f-ff518e337a85.jpg?v=638385242166600000InStockMXN99999DIEbook20189780429960642_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9780429960642_<p><em>Post-Production and the Invisible Revolution of Filmmaking</em> studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period.</p><p>The introduction of post-production during the transition from silent cinema to the synchronized sound era in the 1920s American studio system resulted in what has been a previously unheralded and invisible revolution in filmmaking. Thereafter, a film no longer arose from a live and variable combination of audio and visual in the theater, as occurred during the silent film era, where each exhibition was a singular event. The new system of post-production effectively shifted control of a films final form from the theater to the editing room. With this new process, filmmakers could obtain and manipulate an array of audio elements and manufacture a permanent soundtrack. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form.</p><p>With detailed research and analysis and nearly 50 illustrations, this book is the ideal resource for students and researchers of film history and post-production.</p>...(*_*)9780429960642_<p>Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period.</p><p>The introduction of post-production during the transition from silent cinema to the synchronized sound era in the 1920s American studio system resulted in what has been a previously unheralded and invisible revolution in filmmaking. Thereafter, a film no longer arose from a live and variable combination of audio and visual in the theater, as occurred during the silent film era, where each exhibition was a singular event. The new system of post-production effectively shifted control of a films final form from the theater to the editing room. With this new process, filmmakers could obtain and manipulate an array of audio elements and manufacture a permanent soundtrack. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form.</p><p>With detailed research and analysis and nearly 50 illustrations, this book is the ideal resource for students and researchers of film history and post-production.</p>...9780429960642_Taylor and Francis(*_*)9780429960642_Taylor & Francislibro_electonico_eb36fe96-b40d-3c26-8486-6384ac4ddc22_9780429960642;9780429960642_9780429960642George LarkinInglésMéxicoTaylor & Francishttps://getbook.kobo.com/koboid-prod-public/taylorandfrancis-epub-98809135-bd2c-475a-8aa1-9df02009de70.epub2018-12-07T00:00:00+00:00