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Alpesh Kantilal
Productive failure
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933165Productive failurehttps://www.gandhi.com.mx/productive-failure-1/phttps://gandhi.vtexassets.com/arquivos/ids/813010/8559dd3f-66d6-40dc-8618-4f2379714e47.jpg?v=638336325655570000431599MXNManchester University PressInStock/Ebooks/<p>This title sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate productive failure - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. The author examines whiteness, the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. This book also provides original commentary on how queer theory can deconstruct and provide new approaches for writing art history. Overall, this title provides methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history.</p>...928603Productive failure431599https://www.gandhi.com.mx/productive-failure-1/phttps://gandhi.vtexassets.com/arquivos/ids/813010/8559dd3f-66d6-40dc-8618-4f2379714e47.jpg?v=638336325655570000InStockMXN99999DIEbook20179781526113153_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9781526113153_<p>This title sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate productive failure - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. The author examines whiteness, the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. This book also provides original commentary on how queer theory can deconstruct and provide new approaches for writing art history. Overall, this title provides methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history.</p>...9781526113153_Manchester University Presslibro_electonico_4b7a52cc-f033-39cc-a6d2-779e48f364a6_9781526113153;9781526113153_9781526113153Alpesh KantilalInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/ingram52-epub-aa60752e-a728-4124-9544-1e4cf7ce4a25.epub2017-07-21T00:00:00+00:00Manchester University Press