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Tarfia Faizullah
Registers of Illuminated Villages
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3242045Registers of Illuminated Villageshttps://www.gandhi.com.mx/registers-of-illuminated-villages-9781555979904/phttps://gandhi.vtexassets.com/arquivos/ids/2337700/34c978a4-8db8-4a6c-9302-b1a77248b175.jpg?v=638383839009030000178217MXNGraywolf PressInStock/Ebooks/<p><strong>Tarfia Faizullah is a poet of brave and unflinching vision. Natasha Trethewey</strong></p><p><em>Somebody is always singing. Songs<br />were not allowed. Mother said,<br />Dance and the bells will sing with you.<br />I slithered. Glass beneath my feet. I<br />locked the door. I did not<br />die. I shaved my head. Until the horns<br />I knew were there were visible.<br />Until the doorknob went silent.</em></p><p>from 100 Bells</p><p><em>Registers of Illuminated Villages</em> is Tarfia Faizullahs highly anticipated second collection, following her award-winning debut, <em>Seam</em>. Faizullahs new work extends and transforms her powerful accounts of violence, war, and loss into poems of many forms and voiceselegies, outcries, self-portraits, and larger-scale confrontations with discrimination, family, and memory. One poem steps down the page like a Slinky; another poem responds to makeup homework completed in the summer of a childhood accident; other poems punctuate the collection with dark meditations on dissociation, discipline, defiance, and destiny; and the near-title poem, Register of Eliminated Villages, suggests illuminated texts, one a Quran in which the speakers name might be found, and the other a register of 397 villages destroyed in northern Iraq. Faizullah is an essential new poet whose work only grows more urgent, beautiful, andeven in its unsparing brutalityfull of love.</p>...3177997Registers of Illuminated Villages178217https://www.gandhi.com.mx/registers-of-illuminated-villages-9781555979904/phttps://gandhi.vtexassets.com/arquivos/ids/2337700/34c978a4-8db8-4a6c-9302-b1a77248b175.jpg?v=638383839009030000InStockMXN99999DIEbook20189781555979904_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_<p><strong>Tarfia Faizullah is a poet of brave and unflinching vision. Natasha Trethewey</strong></p><p><em>Somebody is always singing. Songs<br />were not allowed. Mother said,<br />Dance and the bells will sing with you.<br />I slithered. Glass beneath my feet. I<br />locked the door. I did not<br />die. I shaved my head. Until the horns<br />I knew were there were visible.<br />Until the doorknob went silent.</em></p><p>from 100 Bells</p><p><em>Registers of Illuminated Villages</em> is Tarfia Faizullahs highly anticipated second collection, following her award-winning debut, <em>Seam</em>. Faizullahs new work extends and transforms her powerful accounts of violence, war, and loss into poems of many forms and voiceselegies, outcries, self-portraits, and larger-scale confrontations with discrimination, family, and memory. One poem steps down the page like a Slinky; another poem responds to makeup homework completed in the summer of a childhood accident; other poems punctuate the collection with dark meditations on dissociation, discipline, defiance, and destiny; and the near-title poem, Register of Eliminated Villages, suggests illuminated texts, one a Quran in which the speakers name might be found, and the other a register of 397 villages destroyed in northern Iraq. Faizullah is an essential new poet whose work only grows more urgent, beautiful, andeven in its unsparing brutalityfull of love.</p>(*_*)9781555979904_<p><strong>Tarfia Faizullah is a poet of brave and unflinching vision. Natasha Trethewey</strong></p><p><em>Somebody is always singing. Songs<br />were not allowed. Mother said,<br />Dance and the bells will sing with you.<br />I slithered. Glass beneath my feet. I<br />locked the door. I did not<br />die. I shaved my head. Until the horns<br />I knew were there were visible.<br />Until the doorknob went silent.</em></p><p>from 100 Bells</p><p><em>Registers of Illuminated Villages</em> is Tarfia Faizullahs highly anticipated second collection, following her award-winning debut, <em>Seam</em>. Faizullahs new work extends and transforms her powerful accounts of violence, war, and loss into poems of many forms and voiceselegies, outcries, self-portraits, and larger-scale confrontations with discrimination, family, and memory. One poem steps down the page like a Slinky; another poem responds to makeup homework completed in the summer of a childhood accident; other poems punctuate the collection with dark meditations on dissociation, discipline, defiance, and destiny; and the near-title poem, Register of Eliminated Villages, suggests illuminated texts, one a Quran in which the speakers name might be found, and the other a register of 397 villages destroyed in northern Iraq. Faizullah is an essential new poet whose work only grows more urgent, beautiful, andeven in its unsparing brutalityfull of love.</p>...9781555979904_Graywolf Presslibro_electonico_67cd714f-fcf0-331b-8920-f8f559cde063_9781555979904;9781555979904_9781555979904Tarfia FaizullahInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/macmillan-epub-689bf2c5-9d5f-4e2f-b820-b758ab401bbe.epub2018-03-06T00:00:00+00:00Graywolf Press