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Luciano Berio
Remembering the Future
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7650802Remembering the Futurehttps://www.gandhi.com.mx/remembering-the-future-9780674261792/phttps://gandhi.vtexassets.com/arquivos/ids/7277849/image.jpg?v=638885196049600000732813MXNHarvard University PressInStock/Ebooks/<p><strong>How one of the foremost experimental composers of the twentieth century approaches his métier.</strong></p><p>Music is never confined to a single moment. Compositions play with our expectations of the future; musical notes are recorded on a page to be revived by future performers; and old compositions are remembered, quoted, and reconfigured in new ones. In his 19931994 Charles Eliot Norton Lectures, Luciano Berio skillfully explores the whirlpools and eddies of musical time, the intricate interplay between our moment-to-moment experience of music and the idioms, traditions, and histories that form our musical memory.</p><p><em>Remembering the Future</em> is full of insights into Berios own creative process. Writing these lectures, he says, led me to formulate thoughts that might otherwise have remained concealed in the folds of my work. Thematically wide-rangingreflecting on transcription and translation, poetics and analysis, opera and the open workBerio offers a trenchant assessment of both his contemporaries and his forbears, from Boethius to Boulez. Like his friend and sometime collaborator Umberto Eco, he was also a figure of formidable intellect, fluently engaging with Heinrich Schenker, Theodor Adorno, Walter Benjamin, Carl Dahlhaus, and other critical luminaries.</p><p>But Berio wears his learning lightly. The cerebral complexity of these lectures is leavened with irony, humor, and arresting aphorisms. Ultimately, he points us back to the music: The best possible commentary on a symphony, Berio says, is another symphony.</p>...7258709Remembering the Future732813https://www.gandhi.com.mx/remembering-the-future-9780674261792/phttps://gandhi.vtexassets.com/arquivos/ids/7277849/image.jpg?v=638885196049600000InStockMXN99999PR_DIEbook20259780674261792_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9780674261792_<p><strong>How one of the foremost experimental composers of the twentieth century approaches his métier.</strong></p><p>Music is never confined to a single moment. Compositions play with our expectations of the future; musical notes are recorded on a page to be revived by future performers; and old compositions are remembered, quoted, and reconfigured in new ones. In his 19931994 Charles Eliot Norton Lectures, Luciano Berio skillfully explores the whirlpools and eddies of musical time, the intricate interplay between our moment-to-moment experience of music and the idioms, traditions, and histories that form our musical memory.</p><p><em>Remembering the Future</em> is full of insights into Berios own creative process. Writing these lectures, he says, led me to formulate thoughts that might otherwise have remained concealed in the folds of my work. Thematically wide-rangingreflecting on transcription and translation, poetics and analysis, opera and the open workBerio offers a trenchant assessment of both his contemporaries and his forbears, from Boethius to Boulez. Like his friend and sometime collaborator Umberto Eco, he was also a figure of formidable intellect, fluently engaging with Heinrich Schenker, Theodor Adorno, Walter Benjamin, Carl Dahlhaus, and other critical luminaries.</p><p>But Berio wears his learning lightly. The cerebral complexity of these lectures is leavened with irony, humor, and arresting aphorisms. Ultimately, he points us back to the music: The best possible commentary on a symphony, Berio says, is another symphony.</p>...9780674261792_Harvard University Presspreventa9780674261792_9780674261792Luciano BerioInglésMéxico2025-09-01T00:00:00+00:00https://getbook.kobo.com/koboid-prod-public/harvard_short-epub-b0ebf97e-dbf9-4061-87e9-efb747f4d0e0.epub2025-09-01T00:00:00+00:00Harvard University Press