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Liliana M.
Rhetorics of Religion in American Fiction
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2534569Rhetorics of Religion in American Fictionhttps://www.gandhi.com.mx/rhetorics-of-religion-in-american-fiction-9781611487442/phttps://gandhi.vtexassets.com/arquivos/ids/2208231/5f133c27-bf2c-4a69-a4b7-e2283472ecda.jpg?v=63886107250507000017531948MXNBloomsbury PublishingInStock/Ebooks/<p>Rhetorics of Religion in American Fiction considers the way in which contemporary<br />American authors address the subject of belief in the post-9/11 Age of Terror. Naydan<br />suggests that after 9/11, fiction by Mohsin Hamid, Laila Halaby, Philip Roth, Don<br />DeLillo, John Updike, and Barbara Kingsolver dramatizes and works to resolve impasses<br />that exist between believers of different kinds at the extremes. These impasses emerge<br />out of the religious paradox that shapes America as simultaneously theocratic and<br />secular, and they exist, for instance, between liberals and fundamentalists, between<br />liberals and certain evangelicals, between fundamentalists and artists, and between<br />fundamentalists of different varieties. Ultimately, Naydan argues that these authors<br />function as literary theologians of sorts and forge a relevant space beyond or between<br />extremes. They fashion faith or lack thereof as hybridized and hence as a negotiation<br />among secularism, atheism, faith, fundamentalism, and fanaticism. In so doing, they<br />invite their readers into contemplations of religious difference and new ways of<br />memorializing 9/11.</p>...2470428Rhetorics of Religion in American Fiction17531948https://www.gandhi.com.mx/rhetorics-of-religion-in-american-fiction-9781611487442/phttps://gandhi.vtexassets.com/arquivos/ids/2208231/5f133c27-bf2c-4a69-a4b7-e2283472ecda.jpg?v=638861072505070000InStockMXN99999DIEbook20169781611487442_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_<p><em>Rhetorics of Religion in American Fiction</em> considers the way in which contemporary<br />American authors address the subject of belief in the post-9/11 Age of Terror. Naydan<br />suggests that after 9/11, fiction by Mohsin Hamid, Laila Halaby, Philip Roth, Don<br />DeLillo, John Updike, and Barbara Kingsolver dramatizes and works to resolve impasses<br />that exist between believers of different kinds at the extremes. These impasses emerge<br />out of the religious paradox that shapes America as simultaneously theocratic and<br />secular, and they exist, for instance, between liberals and fundamentalists, between<br />liberals and certain evangelicals, between fundamentalists and artists, and between<br />fundamentalists of different varieties. Ultimately, Naydan argues that these authors<br />function as literary theologians of sorts and forge a relevant space beyond or between<br />extremes. They fashion faith or lack thereof as hybridized and hence as a negotiation<br />among secularism, atheism, faith, fundamentalism, and fanaticism. In so doing, they<br />invite their readers into contemplations of religious difference and new ways of<br />memorializing 9/11.</p>...(*_*)9781611487442_<p>Rhetorics of Religion in American Fiction considers the way in which contemporary<br />American authors address the subject of belief in the post-9/11 Age of Terror. Naydan<br />suggests that after 9/11, fiction by Mohsin Hamid, Laila Halaby, Philip Roth, Don<br />DeLillo, John Updike, and Barbara Kingsolver dramatizes and works to resolve impasses<br />that exist between believers of different kinds at the extremes. These impasses emerge<br />out of the religious paradox that shapes America as simultaneously theocratic and<br />secular, and they exist, for instance, between liberals and fundamentalists, between<br />liberals and certain evangelicals, between fundamentalists and artists, and between<br />fundamentalists of different varieties. Ultimately, Naydan argues that these authors<br />function as literary theologians of sorts and forge a relevant space beyond or between<br />extremes. They fashion faith or lack thereof as hybridized and hence as a negotiation<br />among secularism, atheism, faith, fundamentalism, and fanaticism. In so doing, they<br />invite their readers into contemplations of religious difference and new ways of<br />memorializing 9/11.</p>...9781611487442_Bucknell University Press(*_*)9781611487442_University Press Copublishing Division(*_*)9781611487442_Bloomsbury Publishinglibro_electonico_39d7a49a-f596-3a07-83e1-192d058d5f1c_9781611487442;9781611487442_9781611487442Liliana M.InglésMéxicoBloomsbury Publishinghttps://getbook.kobo.com/koboid-prod-public/rowman_academic-epub-2f25bde2-9d67-4ca7-b5a1-9d5a7acf09d3.epub2016-05-23T00:00:00+00:00