product
968914Rock Music in American Fiction Writing, 1966-2011https://www.gandhi.com.mx/rock-music-in-american-fiction-writing-1966-2011-1/phttps://gandhi.vtexassets.com/arquivos/ids/190292/0900b007-82d8-43e4-b792-f9ef73b886f3.jpg?v=63833374794410000018642071MXNBloomsbury PublishingInStock/Ebooks/<p>Can rock music help us understand literature? <em>Rock Music in American Fiction Writing, 1966-2011</em> argues that a close analysis of the rock music incorporated into a literary textan investigation of the lyrics, a musicological exploration of the sounds and rhythms, a cultural-historical inquiry into the production and reception of a songmay yield exciting new insight into and expand our understanding of American literary production from the mid-20th century onwards. Reading major works by Joyce Carol Oates, Alice Walker, Don DeLillo, Jeffrey Eugenides, Sherman Alexie and Jennifer Egan from such a rock-musicological vantage point, <em>Rock Music in American Fiction Writing</em> adds a new dimension to recent work in American literary criticism by seeking to establish rock music as an analytical tool for literary investigation. The book concentrates on the way these literary artists have struggled to come to terms with the dichotomies inherent in rock musicits liberating and revolutionary impulses as well as its adherence to the bleakest laws of consumer capitalismin their work. By combining a musicological with a literary analysis, <em>Rock Music in American Fiction Writing</em> highlights the crucial and complex role rock music has played in shaping the artistic outlook and cultural sensibilities of literary artists since the 1960s in America and beyond.</p>...966512Rock Music in American Fiction Writing, 1966-201118642071https://www.gandhi.com.mx/rock-music-in-american-fiction-writing-1966-2011-1/phttps://gandhi.vtexassets.com/arquivos/ids/190292/0900b007-82d8-43e4-b792-f9ef73b886f3.jpg?v=638333747944100000InStockMXN99999DIEbook20219781793647245_W3siaWQiOiJkYzBkZThmMS0wZmNjLTRmYTEtYmQ1Yy03OTBhNTVhNTFmOGIiLCJsaXN0UHJpY2UiOjc4NCwiZGlzY291bnQiOjc4LCJzZWxsaW5nUHJpY2UiOjcwNiwiaW5jbHVkZXNUYXgiOnRydWUsInByaWNlVHlwZSI6Ildob2xlc2FsZSIsImN1cnJlbmN5IjoiTVhOIiwiZnJvbSI6IjIwMjQtMTEtMDlUMTM6MDA6MDBaIiwidG8iOiIyMDI0LTExLTMwVDIzOjU5OjU5WiIsInJlZ2lvbiI6Ik1YIiwiaXNQcmVvcmRlciI6ZmFsc2V9LHsiaWQiOiIxNTQ2NzdlNi0xZDY4LTQ3YTctODk1Zi1hOTVhNjdmYjI5NjAiLCJsaXN0UHJpY2UiOjgyNSwiZGlzY291bnQiOjgyLCJzZWxsaW5nUHJpY2UiOjc0MywiaW5jbHVkZXNUYXgiOnRydWUsInByaWNlVHlwZSI6Ildob2xlc2FsZSIsImN1cnJlbmN5IjoiTVhOIiwiZnJvbSI6IjIwMjQtMTItMDFUMDA6MDA6MDBaIiwicmVnaW9uIjoiTVgiLCJpc1ByZW9yZGVyIjpmYWxzZX1d9781793647245_<p>Can rock music help us understand literature? <em>Rock Music in American Fiction Writing, 1966-2011</em> argues that a close analysis of the rock music incorporated into a literary textan investigation of the lyrics, a musicological exploration of the sounds and rhythms, a cultural-historical inquiry into the production and reception of a songmay yield exciting new insight into and expand our understanding of American literary production from the mid-20th century onwards. Reading major works by Joyce Carol Oates, Alice Walker, Don DeLillo, Jeffrey Eugenides, Sherman Alexie and Jennifer Egan from such a rock-musicological vantage point, <em>Rock Music in American Fiction Writing</em> adds a new dimension to recent work in American literary criticism by seeking to establish rock music as an analytical tool for literary investigation. The book concentrates on the way these literary artists have struggled to come to terms with the dichotomies inherent in rock musicits liberating and revolutionary impulses as well as its adherence to the bleakest laws of consumer capitalismin their work. By combining a musicological with a literary analysis, <em>Rock Music in American Fiction Writing</em> highlights the crucial and complex role rock music has played in shaping the artistic outlook and cultural sensibilities of literary artists since the 1960s in America and beyond.</p>(*_*)9781793647245_<p>Can rock music help us understand literature? <em>Rock Music in American Fiction Writing, 1966-2011</em> argues that a close analysis of the rock music incorporated into a literary textan investigation of the lyrics, a musicological exploration of the sounds and rhythms, a cultural-historical inquiry into the production and reception of a songmay yield exciting new insight into and expand our understanding of American literary production from the mid-20th century onwards. Reading major works by Joyce Carol Oates, Alice Walker, Don DeLillo, Jeffrey Eugenides, Sherman Alexie and Jennifer Egan from such a rock-musicological vantage point, <em>Rock Music in American Fiction Writing</em> adds a new dimension to recent work in American literary criticism by seeking to establish rock music as an analytical tool for literary investigation. The book concentrates on the way these literary artists have struggled to come to terms with the dichotomies inherent in rock musicits liberating and revolutionary impulses as well as its adherence to the bleakest laws of consumer capitalismin their work. By combining a musicological with a literary analysis, <em>Rock Music in American Fiction Writing</em> highlights the crucial and complex role rock music has played in shaping the artistic outlook and cultural sensibilities of literary artists since the 1960s in America and beyond.</p>...9781793647245_Lexington Bookslibro_electonico_be8565db-6d5f-3cac-a33a-c3aef72f50fa_9781793647245;9781793647245_9781793647245Martin MolingInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/rowman_academic-epub-26dd7043-4cf4-41ff-903a-5bc1b1bdc935.epub2021-09-20T00:00:00+00:00Lexington Books