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Kristi Irene
Rushmore
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1690237Rushmorehttps://www.gandhi.com.mx/rushmore-1/phttps://gandhi.vtexassets.com/arquivos/ids/1386787/ee08cc3d-7ab8-4231-8cb0-015ac5e7f23f.jpg?v=638338008321330000315331MXNBloomsbury PublishingInStock/Ebooks/<p>Earning critical acclaim and commercial success upon its 1998 release, Rushmore-the sophomore film of American auteur Wes Anderson-quickly gained the status of a cult classic. A melancholic coming-of-age story wrapped in comedy drama, <em>Rushmore</em> focuses on the efforts of Max Fischer (Jason Schwartzman)-a brazen and precocious fifteen-year-old-to find his way. Restless, energetic, struggling, and overcompensating for his insecurities, Max pursues a dizzying range of possible futures, leading him into the orbit of local steel magnate Herman Blume (Bill Murray), elementary school teacher Rosemary Cross (Olivia Williams), and a host of cooperative schoolmates who help him to stage lavish film-derivative plays.</p><p>Kristi McKims compelling study of the film argues that despite the films titular call for haste and excess (rush/more), it challenges a drive toward perfectionism and celebrates the quiet connections that defy such passion and speed. After establishing <em>Rushmore</em>s history and reception, McKim closely reads <em>Rushmore</em>s energetic musical montages relative to slower moments that introduce tenderness and ambiguity, in a form subtler than Maxs desire-built drive or genre-based plays.</p><p>Her analysis offers an urgent corrective to what might be perceived as an endearing portrait of privilege that perpetuates a status quo power. Drawing out Rushmores subtleties that soften, temper, ease, expand, and equalize the films zeal, she reads the film with a generosity learned from the film itself.</p>...1666356Rushmore315331https://www.gandhi.com.mx/rushmore-1/phttps://gandhi.vtexassets.com/arquivos/ids/1386787/ee08cc3d-7ab8-4231-8cb0-015ac5e7f23f.jpg?v=638338008321330000InStockMXN99999DIEbook20239781839024504_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_<p>Earning critical acclaim and commercial success upon its 1998 release, Rushmore-the sophomore film of American auteur Wes Anderson-quickly gained the status of a cult classic. A melancholic coming-of-age story wrapped in comedy drama, <em>Rushmore</em> focuses on the efforts of Max Fischer (Jason Schwartzman)-a brazen and precocious fifteen-year-old-to find his way. Restless, energetic, struggling, and overcompensating for his insecurities, Max pursues a dizzying range of possible futures, leading him into the orbit of local steel magnate Herman Blume (Bill Murray), elementary school teacher Rosemary Cross (Olivia Williams), and a host of cooperative schoolmates who help him to stage lavish film-derivative plays.</p><p>Kristi McKims compelling study of the film argues that despite the films titular call for haste and excess (rush/more), it challenges a drive toward perfectionism and celebrates the quiet connections that defy such passion and speed. After establishing <em>Rushmore</em>s history and reception, McKim closely reads <em>Rushmore</em>s energetic musical montages relative to slower moments that introduce tenderness and ambiguity, in a form subtler than Maxs desire-built drive or genre-based plays.</p><p>Her analysis offers an urgent corrective to what might be perceived as an endearing portrait of privilege that perpetuates a status quo power. Drawing out Rushmores subtleties that soften, temper, ease, expand, and equalize the films zeal, she reads the film with a generosity learned from the film itself.</p>...9781839024504_Bloomsbury Publishinglibro_electonico_62b6b7b9-b6ff-3340-845d-9c34a9e63156_9781839024504;9781839024504_9781839024504Kristi IreneInglésMéxico2023-10-05T00:00:00+00:00Bloomsbury Publishing