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John Rain
Superbook
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4942448Superbookhttps://www.gandhi.com.mx/superbook-9781915359148/phttps://gandhi.vtexassets.com/arquivos/ids/2040357/4c848588-3a58-442b-b0c0-0464daefb79f.jpg?v=638774203244300000166191MXNBirlinnInStock/Ebooks/<p>If you mention the word superhero these days, everyone and their mum can tell you a potted history of it all, because theyve sat through numerous phases, extended TV series, and animated side-specials of expansive character-development, culminating in extraordinary final chapters, with the screen literally stacked full of characters battling one another while your eyes bleed with excitement and spectacle.</p><p>But before 1997, people would generally only think of a few things: Christopher Reeve smiling as he keeps a watchful eye over Earths atmosphere, Michael Keaton running around Gotham while dressed in molded rubber. Nicholas Hammonds Spider-Man being hauled up a wall on a rope, pretending to grip it, while also being a foot away from it. Bill Bixby trying not to get angry, Flash Gordon arriving in another galaxy, that was essentially a soft porn film, Dolph Lundgren mumbling in broken English while Frank Langella hammed behind a mask, and how Michael Crawford dressed like a bird was the closest thing Disney had to a cinematic universe.</p><p>Despite starting on a high in 1978, by 1997 there could be no doubt that the genre was dead. Out was the sheen of verisimilitude, and in were Bat-credit-cards, ugly CGI, slashed budgets, rubber nipples and Martin Sheen in a girdle.</p><p>So, whatever happened to the heroes? Join John Rain as he walks through every film of note from 1978 to 1997, and examines just what went wrong, and how. Is it a bird? Is it a plane? No, its SUPERBOOK.</p>...2198744Superbook166191https://www.gandhi.com.mx/superbook-9781915359148/phttps://gandhi.vtexassets.com/arquivos/ids/2040357/4c848588-3a58-442b-b0c0-0464daefb79f.jpg?v=638774203244300000InStockMXN99999DIEbook20249781915359148_W3siaWQiOiI0OWY2NTlmNC0zNjZlLTRhZGMtOGYyNC03ZmZjNzQ0NmQzNmUiLCJsaXN0UHJpY2UiOjE5MSwiZGlzY291bnQiOjI1LCJzZWxsaW5nUHJpY2UiOjE2NiwiaW5jbHVkZXNUYXgiOnRydWUsInByaWNlVHlwZSI6Ildob2xlc2FsZSIsImN1cnJlbmN5IjoiTVhOIiwiZnJvbSI6IjIwMjQtMDUtMDZUMDQ6MDA6MDBaIiwicmVnaW9uIjoiTVgiLCJpc1ByZW9yZGVyIjpmYWxzZX1d9781915359148_<p>If you mention the word superhero these days, everyone and their mum can tell you a potted history of it all, because theyve sat through numerous phases, extended TV series, and animated side-specials of expansive character-development, culminating in extraordinary final chapters, with the screen literally stacked full of characters battling one another while your eyes bleed with excitement and spectacle.</p><p>But before 1997, people would generally only think of a few things: Christopher Reeve smiling as he keeps a watchful eye over Earths atmosphere, Michael Keaton running around Gotham while dressed in molded rubber. Nicholas Hammonds Spider-Man being hauled up a wall on a rope, pretending to grip it, while also being a foot away from it. Bill Bixby trying not to get angry, Flash Gordon arriving in another galaxy, that was essentially a soft porn film, Dolph Lundgren mumbling in broken English while Frank Langella hammed behind a mask, and how Michael Crawford dressed like a bird was the closest thing Disney had to a cinematic universe.</p><p>Despite starting on a high in 1978, by 1997 there could be no doubt that the genre was dead. Out was the sheen of verisimilitude, and in were Bat-credit-cards, ugly CGI, slashed budgets, rubber nipples and Martin Sheen in a girdle.</p><p>So, whatever happened to the heroes? Join John Rain as he walks through every film of note from 1978 to 1997, and examines just what went wrong, and how. Is it a bird? Is it a plane? No, its SUPERBOOK.</p>...9781915359148_Birlinnlibro_electonico_9781915359148_9781915359148John RainInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/casematepublishers-epub-5a0ee3fe-d301-4be1-8af4-727def52e1c0.epub2024-01-09T00:00:00+00:00Birlinn