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Thomas McGeary
The Cultural Politics of Opera, 1720-1742
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5032252The Cultural Politics of Opera, 1720-1742https://www.gandhi.com.mx/the-cultural-politics-of-opera--1720-1742-9781805433941/phttps://gandhi.vtexassets.com/arquivos/ids/4578217/image.jpg?v=638549433837030000737819MXNBoydell & Brewer LtdInStock/Ebooks/<p><strong>Explores the intersection of the world of opera, literature, and partisan politics to show how Italian opera was put to use in the culture wars of the day.</strong></p><p>This last of a trilogy of books on opera and politics in Britain examines the cultural politics of opera during the ministerial reign of Sir Robert Walpole from 1720 to 1742. The book explores the intersection of the world of opera, literature, and partisan politics to show how Italian opera - with its associations with the court, ministry and Britains social-political elite - was put to use in the culture wars of the day: how Italian opera was used for partisan political advantage; how political work could be accomplished by means of opera. It shows that attacks on opera had ulterior targets.</p><p>The book surveys a range of often overlooked verse and prints to show how critique or satire of opera were a means for oppositional writers to delegitimize the Walpole ministry. Polemicists framed opera as a consequence of the corruption, luxury and False Taste generated by Walpoles ministry.</p><p>It closes in the watershed year 1742: Handel had produced the last of his Italian operas the previous year, Walpole fell from power, and Alexander Pope published the last book of his Dunciad project.</p>...4763394The Cultural Politics of Opera, 1720-1742737819https://www.gandhi.com.mx/the-cultural-politics-of-opera--1720-1742-9781805433941/phttps://gandhi.vtexassets.com/arquivos/ids/4578217/image.jpg?v=638549433837030000InStockMXN99999DIEbook20249781805433941_W3siaWQiOiIxZGNkMjJiYy0xNmFjLTQ4Y2ItOGVlMC1iNDRhY2E5YWYwZDYiLCJsaXN0UHJpY2UiOjc5OSwiZGlzY291bnQiOjgwLCJzZWxsaW5nUHJpY2UiOjcxOSwiaW5jbHVkZXNUYXgiOnRydWUsInByaWNlVHlwZSI6Ildob2xlc2FsZSIsImN1cnJlbmN5IjoiTVhOIiwiZnJvbSI6IjIwMjQtMTItMDFUMDA6MDA6MDBaIiwicmVnaW9uIjoiTVgiLCJpc1ByZW9yZGVyIjpmYWxzZX1d9781805433941_<p><strong>Explores the intersection of the world of opera, literature, and partisan politics to show how Italian opera was put to use in the culture wars of the day.</strong></p><p>This last of a trilogy of books on opera and politics in Britain examines the cultural politics of opera during the ministerial reign of Sir Robert Walpole from 1720 to 1742. The book explores the intersection of the world of opera, literature, and partisan politics to show how Italian opera - with its associations with the court, ministry and Britains social-political elite - was put to use in the culture wars of the day: how Italian opera was used for partisan political advantage; how political work could be accomplished by means of opera. It shows that attacks on opera had ulterior targets.</p><p>The book surveys a range of often overlooked verse and prints to show how critique or satire of opera were a means for oppositional writers to delegitimize the Walpole ministry. Polemicists framed opera as a consequence of the corruption, luxury and False Taste generated by Walpoles ministry.</p><p>It closes in the watershed year 1742: Handel had produced the last of his Italian operas the previous year, Walpole fell from power, and Alexander Pope published the last book of his Dunciad project.</p>...9781805433941_Boydell & Brewer Ltdlibro_electonico_9781805433941_9781805433941Thomas McGearyInglésMéxico2024-09-24T00:00:00+00:00https://getbook.kobo.com/koboid-prod-public/ingram30-epub-7b775ed7-068e-49bc-89ce-f9407642976e.epub2024-09-24T00:00:00+00:00Boydell & Brewer Ltd