Envío gratis siempre a todo México.
Haz clic para hacer zoom
Not Available
Inga Clendinnen
The History Question
Cargando comentarios…
Comparte
$513
Envío gratis siempre
Comentarios
Cargando el resumen…
Cargando comentarios…
product
191209The History Questionhttps://www.gandhi.com.mx/the-history-question/phttps://gandhi.vtexassets.com/arquivos/ids/1647027/9953fb03-7d24-4a9e-bde0-616ab78371a5.jpg?v=638338546922400000513513MXNBolinda Publishing Pty LtdInStock/Audiolibros/<p>In the third Quarterly Essay for 2006, Inga Clendinnen looks past the skirmishes and pitched battles of the history wars and asks whats at stake - what kind of history do we want and need? Should our historians be producing the "objective record of achievement" that the Prime Minister has called for? For Clendinnen, historians cannot be the midwives of national identity and also be true to their profession: history cannot do the work of myth. Clendinnen illuminates the ways in which history, myth and fiction differ from one another, and why the differences are important. In discussing what good history looks like, she pays tribute to the human need for story telling but notes the distinctive critical role of the historian. She offers a spirited critique of Kate Grenvilles novel The Secret River, and discusses the Stolen Generations and the role of morality in history writing. This is an eloquent and stimulating essay about a subject that has generated much heat in recent times: how we should record and regard the nations past.</p>...190828The History Question513513https://www.gandhi.com.mx/the-history-question/phttps://gandhi.vtexassets.com/arquivos/ids/1647027/9953fb03-7d24-4a9e-bde0-616ab78371a5.jpg?v=638338546922400000InStockMXN99999DIAudiolibro20129781743112755_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9781743112755_<p>In the third Quarterly Essay for 2006, Inga Clendinnen looks past the skirmishes and pitched battles of the history wars and asks what's at stake - what kind of history do we want and need? Should our historians be producing the "objective record of achievement" that the Prime Minister has called for? For Clendinnen, historians cannot be the midwives of national identity and also be true to their profession: history cannot do the work of myth. Clendinnen illuminates the ways in which history, myth and fiction differ from one another, and why the differences are important. In discussing what good history looks like, she pays tribute to the human need for story telling but notes the distinctive critical role of the historian. She offers a spirited critique of Kate Grenville's novel The Secret River, and discusses the Stolen Generations and the role of morality in history writing. This is an eloquent and stimulating essay about a subject that has generated much heat in recent times: how we should record and regard the nation's past.</p>(*_*)9781743112755_<p>In the third Quarterly Essay for 2006, Inga Clendinnen looks past the skirmishes and pitched battles of the history wars and asks whats at stake - what kind of history do we want and need? Should our historians be producing the "objective record of achievement" that the Prime Minister has called for? For Clendinnen, historians cannot be the midwives of national identity and also be true to their profession: history cannot do the work of myth. Clendinnen illuminates the ways in which history, myth and fiction differ from one another, and why the differences are important. In discussing what good history looks like, she pays tribute to the human need for story telling but notes the distinctive critical role of the historian. She offers a spirited critique of Kate Grenvilles novel The Secret River, and discusses the Stolen Generations and the role of morality in history writing. This is an eloquent and stimulating essay about a subject that has generated much heat in recent times: how we should record and regard the nations past.</p>...9781743112755_Bolinda Publishing Pty Ltdaudiolibro_b6b75a8d-9fb9-369f-b61a-87548c3a9582_9781743112755;9781743112755_9781743112755Inga ClendinnenInglésMéxicoNoMINUTE2012-04-28T00:00:00+00:00Bolinda Publishing Pty Ltd