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Michael Fried
The Moment of Caravaggio
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2173658The Moment of Caravaggiohttps://www.gandhi.com.mx/the-moment-of-caravaggio/phttps://gandhi.vtexassets.com/arquivos/ids/1931446/ab8f2e05-720b-476b-8d0f-1b2fc0603cf5.jpg?v=63834499653810000010451452MXNPrinceton University PressInStock/Ebooks/<p><strong>A major reevaluation of Caravaggio from one of todays leading art historians</strong></p><p>This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artists revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, <em>The Moment of Caravaggio</em> displays Frieds unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late <em>Martyrdom of Saint Ursula</em>. The result is an electrifying new perspective on a crucial episode in the history of European painting.</p><p>Focusing on the emergence of the full-blown "gallery picture" in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggios relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggios great rival, Annibale Carracci, as well as to the work of Caravaggios followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne.</p><p>Please note: All images in this ebook are presented in black and white and have been reduced in size.</p>...2145130The Moment of Caravaggio10451452https://www.gandhi.com.mx/the-moment-of-caravaggio/phttps://gandhi.vtexassets.com/arquivos/ids/1931446/ab8f2e05-720b-476b-8d0f-1b2fc0603cf5.jpg?v=638344996538100000InStockMXN99999DIEbook20239780691252988_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_<p><strong>A major reevaluation of Caravaggio from one of todays leading art historians</strong></p><p>This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artists revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, <em>The Moment of Caravaggio</em> displays Frieds unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late <em>Martyrdom of Saint Ursula</em>. The result is an electrifying new perspective on a crucial episode in the history of European painting.</p><p>Focusing on the emergence of the full-blown "gallery picture" in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggios relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggios great rival, Annibale Carracci, as well as to the work of Caravaggios followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne.</p><p>Please note: All images in this ebook are presented in black and white and have been reduced in size.</p>...9780691252988_Princeton University Presslibro_electonico_ed2f04ea-fbb0-3c39-8b21-e72c74281292_9780691252988;9780691252988_9780691252988Michael FriedInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/princetonup-epub-0389eae1-a652-4927-b80a-f37ec70928a5.epub2023-10-17T00:00:00+00:00Princeton University Press