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Sir Edward
The Seven Lamps of Advocacy
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2506110The Seven Lamps of Advocacyhttps://www.gandhi.com.mx/the-seven-lamps-of-advocacy-9781465661524/phttps://gandhi.vtexassets.com/arquivos/ids/2120438/3910df1e-9c0e-4842-bc3e-1261c6c96017.jpg?v=638383537148470000102102MXNLibrary of AlexandriaInStock/Ebooks/2441712The Seven Lamps of Advocacy102102https://www.gandhi.com.mx/the-seven-lamps-of-advocacy-9781465661524/phttps://gandhi.vtexassets.com/arquivos/ids/2120438/3910df1e-9c0e-4842-bc3e-1261c6c96017.jpg?v=638383537148470000InStockMXN99999DIEbook20219781465661524_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9781465661524_<p>The great advocate is like the great actor: he fills the stage for his span of life, succeeds, gains our applause, makes his last bow, and the curtain falls. Nothing is so elusive as the art of acting, unless indeed it be the sister art of advocacy. You cannot say that the methods of Garrick, Kean or Irving, Erskine, Hawkins or Russell, were the right methods or the only methods, or even that they were the best methods of practising their several arts; you can only say that they succeeded in their day, and that their contemporaries acclaimed them as masters. Inasmuch as their methods were often new and startling to their own generation, the young student of acting or advocacy is eager to believe that there are no methods and no technique to learn, and no school in which to graduate. Youth is at all times prone to act on the principle that there are no principles, that there is no one from whom it can learn, and nothing to teach. Any one, it seems, can don a wig and gown, and thereby become an advocate. Yet there are principles of advocacy; and if a few generations were to forget to practise these, it would indeed be a lost art. The student of advocacy can draw inspiration and hope from the stored-up experience of his elders. He can trace in the plans and life-charts of the ancients the paths along which they strode, journeying towards Eldorado. True, these figures of forgotten advocates are dim and obscureonly to be painfully seen through the dusty gauzes of forgotten years, pictured for us in drowsy voluminous memoirs, or baldly reported in mouldering law reports; but if we search these records diligently we gradually discern a race of worthy mensee them haunting the old libraries, pacing the ancient halls with their clients, proud of the traditions of their great professionadvocatesadvocates all. It is in an endeavour to recapture something of the lives of these great ones, and the principles upon which they built their success, that I have struggled through forbidding masses of decaying biography in hopes to catch a faint whisper here and there of the triumphant works and days of my professional forbears. For a race of moderns, that, maybe, care for none of these things, I have lighted again the old lamps which burned so brightly in the days that are gone, which I myself have seen lighting the darkness of our courts, and guiding the footsteps of the judges in the paths of justice and truth. For without a free and honourable race of advocates the world will hear little of the message of justice. Advocacy is the outward and visible appeal for the spiritual gift of justice. The advocate is the priest in the temple of justice, trained in the mysteries of the creed, active in its exercises. For this reason Wyclif in his translation of I John ii. 1 sanctifies the word in the text: We haue auoket anentis the fadir, Jhesu Crist just. Modern versions retain advocate, but unhappily substitute righteous for just. Advocacy connotes justice. Upon the altars of justice the advocate must keep his seven lamps clean and burning brightly. In the centre of these must ever be the lamp of honesty.</p>(*_*)9781465661524_<p>The great advocate is like the great actor: he fills the stage for his span of life, succeeds, gains our applause, makes his last bow, and the curtain falls. Nothing is so elusive as the art of acting, unless indeed it be the sister art of advocacy. You cannot say that the methods of Garrick, Kean or Irving, Erskine, Hawkins or Russell, were the right methods or the only methods, or even that they were the best methods of practising their several arts; you can only say that they succeeded in their day, and that their contemporaries acclaimed them as masters. Inasmuch as their methods were often new and startling to their own generation, the young student of acting or advocacy is eager to believe that there are no methods and no technique to learn, and no school in which to graduate. Youth is at all times prone to act on the principle that there are no principles, that there is no one from whom it can learn, and nothing to teach. Any one, it seems, can don a wig and gown, and thereby become an advocate. Yet there are principles of advocacy; and if a few generations were to forget to practise these, it would indeed be a lost art. The student of advocacy can draw inspiration and hope from the stored-up experience of his elders. He can trace in the plans and life-charts of the ancients the paths along which they strode, journeying towards Eldorado. True, these figures of forgotten advocates are dim and obscureonly to be painfully seen through the dusty gauzes of forgotten years, pictured for us in drowsy voluminous memoirs, or baldly reported in mouldering law reports; but if we search these records diligently we gradually discern a race of worthy mensee them haunting the old libraries, pacing the ancient halls with their clients, proud of the traditions of their great professionadvocatesadvocates all. It is in an endeavour to recapture something of the lives of these great ones, and the principles upon which they built their success, that I have struggled through forbidding masses of decaying biography in hopes to catch a faint whisper here and there of the triumphant works and days of my professional forbears. For a race of moderns, that, maybe, care for none of these things, I have lighted again the old lamps which burned so brightly in the days that are gone, which I myself have seen lighting the darkness of our courts, and guiding the footsteps of the judges in the paths of justice and truth. For without a free and honourable race of advocates the world will hear little of the message of justice. Advocacy is the outward and visible appeal for the spiritual gift of justice. The advocate is the priest in the temple of justice, trained in the mysteries of the creed, active in its exercises. For this reason Wyclif in his translation of I John ii. 1 sanctifies the word in the text: We haue auoket anentis the fadir, Jhesu Crist just. Modern versions retain advocate, but unhappily substitute righteous for just. Advocacy connotes justice. Upon the altars of justice the advocate must keep his seven lamps clean and burning brightly. In the centre of these must ever be the lamp of honesty.</p>...9781465661524_Library of Alexandrialibro_electonico_2d06dbd6-06f5-3d55-9b81-90d530c36d92_9781465661524;9781465661524_9781465661524Sir EdwardInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/markmoxford-epub-99bfcbf3-def4-493e-8be6-94b5caad8965.epub2021-02-24T00:00:00+00:00Library of Alexandria