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Kerstin Klenke
The Sound State of Uzbekistan
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3671545The Sound State of Uzbekistanhttps://www.gandhi.com.mx/the-sound-state-of-uzbekistan-9781351046411/phttps://gandhi.vtexassets.com/arquivos/ids/2456910/2ab7bb91-90e8-461e-996c-b1dad86d39f3.jpg?v=63838400098497000011031103MXNTaylor & FrancisInStock/Ebooks/<p>The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era is a pioneering study of the intersection between popular music and state politics in Central Asia. Based on 20 months of fieldwork and archival research in Tashkent, this book explores a remarkable era in Uzbekistans politics (20012016), when the Uzbek government promoted a rather unlikely candidate to the prominent position of state sound: estrada, a genre of popular music and a musical relic of socialism. The political importance it attached to estrada was matched by the establishment of an elaborate bureaucratic apparatus for state oversight.</p><p><em>The Sound State of Uzbekistan</em> shows the continuing legacy of Soviet concepts to frame the nexus between music, artists and the state, and explains the extraordinary potency ascribed to estrada. At the same time, it challenges classical readings of transition and also questions common binary models for researching culture in totalitarian or authoritarian states. Proposing to approach lives in music under authoritarianism as a form of normality instead, the author promotes a post-Cold War paradigm in music studies.</p>...3607996The Sound State of Uzbekistan11031103https://www.gandhi.com.mx/the-sound-state-of-uzbekistan-9781351046411/phttps://gandhi.vtexassets.com/arquivos/ids/2456910/2ab7bb91-90e8-461e-996c-b1dad86d39f3.jpg?v=638384000984970000InStockMXN99999DIEbook20199781351046411_W3siaWQiOiJmOGY0Yzg4OS01MjhhLTQ5ZTgtYTAzNS1lMGZmMWRlMmE4OGYiLCJsaXN0UHJpY2UiOjExNjksImRpc2NvdW50IjowLCJzZWxsaW5nUHJpY2UiOjExNjksImluY2x1ZGVzVGF4Ijp0cnVlLCJwcmljZVR5cGUiOiJXaG9sZXNhbGUiLCJjdXJyZW5jeSI6Ik1YTiIsImZyb20iOiIyMDI1LTA0LTE1VDEwOjAwOjAwWiIsInJlZ2lvbiI6Ik1YIiwiaXNQcmVvcmRlciI6ZmFsc2V9XQ==9781351046411_<p><em>The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era</em> is a pioneering study of the intersection between popular music and state politics in Central Asia. Based on 20 months of fieldwork and archival research in Tashkent, this book explores a remarkable era in Uzbekistans politics (20012016), when the Uzbek government promoted a rather unlikely candidate to the prominent position of state sound: estrada, a genre of popular music and a musical relic of socialism. The political importance it attached to estrada was matched by the establishment of an elaborate bureaucratic apparatus for state oversight.</p><p><em>The Sound State of Uzbekistan</em> shows the continuing legacy of Soviet concepts to frame the nexus between music, artists and the state, and explains the extraordinary potency ascribed to estrada. At the same time, it challenges classical readings of transition and also questions common binary models for researching culture in totalitarian or authoritarian states. Proposing to approach lives in music under authoritarianism as a form of normality instead, the author promotes a post-Cold War paradigm in music studies.</p>(*_*)9781351046411_<p>The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era is a pioneering study of the intersection between popular music and state politics in Central Asia. Based on 20 months of fieldwork and archival research in Tashkent, this book explores a remarkable era in Uzbekistans politics (20012016), when the Uzbek government promoted a rather unlikely candidate to the prominent position of state sound: estrada, a genre of popular music and a musical relic of socialism. The political importance it attached to estrada was matched by the establishment of an elaborate bureaucratic apparatus for state oversight.</p><p><em>The Sound State of Uzbekistan</em> shows the continuing legacy of Soviet concepts to frame the nexus between music, artists and the state, and explains the extraordinary potency ascribed to estrada. At the same time, it challenges classical readings of transition and also questions common binary models for researching culture in totalitarian or authoritarian states. Proposing to approach lives in music under authoritarianism as a form of normality instead, the author promotes a post-Cold War paradigm in music studies.</p>...9781351046411_Taylor and Francis(*_*)9781351046411_Taylor & Francislibro_electonico_06163e27-a48d-3037-ac31-aad8ac9f8276_9781351046411;9781351046411_9781351046411Kerstin KlenkeInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/taylorandfrancis-epub-aa1805a7-4366-40f0-9de0-9ec373d4ce08.epub2019-04-17T00:00:00+00:00Taylor & Francis