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David Tomas
Vertov, Snow, Farocki
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4134871Vertov, Snow, Farockihttps://www.gandhi.com.mx/vertov-snow-farocki-9781441172273/phttps://gandhi.vtexassets.com/arquivos/ids/2586022/3c792e15-35c4-435d-b4be-b7e1f8c43405.jpg?v=638384176182200000792880MXNBloomsbury PublishingInStock/Ebooks/<p><em>Vertov, Snow, Farocki: Machine Vision and the Posthuman</em> begins with a comprehensive and original anthropological analysis of Vertovs film <em>The Man With a Movie Camera. Tomas</em> then explores the films various aspects and contributions to media history and practice through detailed discussions of selected case studies. The first concerns the way Snows <em>La Région Centrale</em> and <em>De La</em> extend and/or develop important theoretical and technical aspects of Vertovs original film, in particular those aspects that have made the film so important in the history of cinema. The linkage between Vertovs film and the works discussed in the case studies also serve to illustrate the historical and theoretical significance of a comparative approach of this kind, and illustrate the pertinence of adopting a relational approach to the history of media and its contemporary practice, an approach that is no longer focused exclusively on the technical question of the new in contemporary media practices but, in contrast, situates a work and measures its originality in historical, intermedia, and ultimately political terms.</p>...4070408Vertov, Snow, Farocki792880https://www.gandhi.com.mx/vertov-snow-farocki-9781441172273/phttps://gandhi.vtexassets.com/arquivos/ids/2586022/3c792e15-35c4-435d-b4be-b7e1f8c43405.jpg?v=638384176182200000InStockMXN99999DIEbook20139781441172273_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_<p><em>Vertov, Snow, Farocki: Machine Vision and the Posthuman</em> begins with a comprehensive and original anthropological analysis of Vertovs film <em>The Man With a Movie Camera. Tomas</em> then explores the films various aspects and contributions to media history and practice through detailed discussions of selected case studies. The first concerns the way Snows <em>La Région Centrale</em> and <em>De La</em> extend and/or develop important theoretical and technical aspects of Vertovs original film, in particular those aspects that have made the film so important in the history of cinema. The linkage between Vertovs film and the works discussed in the case studies also serve to illustrate the historical and theoretical significance of a comparative approach of this kind, and illustrate the pertinence of adopting a relational approach to the history of media and its contemporary practice, an approach that is no longer focused exclusively on the technical question of the new in contemporary media practices but, in contrast, situates a work and measures its originality in historical, intermedia, and ultimately political terms.</p>...9781441172273_Bloomsbury Publishinglibro_electonico_047f9925-be88-30e6-8a7b-fc4ff7775da3_9781441172273;9781441172273_9781441172273David TomasInglésMéxico2013-08-29T00:00:00+00:00Bloomsbury Publishing