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3240928Zero Kelvinhttps://www.gandhi.com.mx/zero-kelvin-9781927428467/phttps://gandhi.vtexassets.com/arquivos/ids/2337583/34c978a4-8db8-4a6c-9302-b1a77248b175.jpg?v=638383838847830000231300MXNBiblioasisInStock/Ebooks/<p>continues the growing trend of combining science with poetry (compare to: Christian Bok, <em>Crystallography</em>; Robert Kroetsch, <em>Seed Catalogue</em>; Christopher Dewdney; Jay MillAr; the comp. titles below, especially those from Coach House)</p><p>Plays on interest in space research that was reinvigorated after the successful Mars landing in August 2012</p><p>Draws on a range of sources, from the scientific to the theological</p>...3176801Zero Kelvin231300https://www.gandhi.com.mx/zero-kelvin-9781927428467/phttps://gandhi.vtexassets.com/arquivos/ids/2337583/34c978a4-8db8-4a6c-9302-b1a77248b175.jpg?v=638383838847830000InStockMXN99999DIEbook20139781927428467_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_<p>Present-day astronomy, vast, complex, is looking through darkness to distant objects and times. Yet its discoveries arent exclusively scientific: from the moons of Pluto to the Doppler effect, the night sky screens a place where math meets myth. Now, in <em>Zero Kelvin</em>, in scenes that shift from the mountains of Goma to the mountains of the moon, from galaxies that feast upon their neighbours to a solar sail unfurling above Earths orbit, Richard Normans poetry probes both newly glimpsed corners of the universe, and the myths which bring them into focus.</p><p>Experiment</p><p>It is a human urge-<br />to orbit backwards at great speed.<br />Experimentally, you do it<br />and then the crack of lightning,<br />the open-ended snowflake, splits the sky.<br />Just as the sculptor cut the fat off space,<br />you going backwards renders time.<br />Seconds drop like filings<br />when a magnet is turned off.</p><p><strong>Praise for <em>Zero Kelvin</em></strong></p><p>All at once the elements collapse and expand, become inseparable and remote, beautiful and terrifying this is what Richard Normans poems do to us. We feel stars, those tiny suns, as words blazing through the page; like dust or sand they leave a residue in our thoughts, worlds deep, so we might inadvertently carry them to work, or to the bed of a lover. Here is where language consumes us, absolute and intangible, between reality and myth. -<strong>Leigh Kotsildis, author of <em>Hypotheticals</em></strong></p>9781927428467_Biblioasislibro_electonico_3a2904e7-87b7-3e21-a8e7-615e8c3216f8_9781927428467;9781927428467_9781927428467Richard NormanInglésMéxicohttps://getbook.kobo.com/koboid-prod-public/ingram50-epub-a2ded0db-0506-43f4-9d60-03c2ed8e9d15.epub2013-11-18T00:00:00+00:00Biblioasis